AV Monographs 180: Lina Bo Bardi 1914-1992

The centenary of Lina Bo Bardi, born in Rome in 1914, has rekindled the fervour for her life and oeuvre. For many years, her role in 20th century architecture remained undervalued, but recent recognition of her strong multicultural character and new interest in Brazil as an emerging geopolitical powerhouse have combined to once more bring her work into the spotlight. Educated i...

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The centenary of Lina Bo Bardi, born in Rome in 1914, has rekindled the fervour for her life and oeuvre. For many years, her role in 20th century architecture remained undervalued, but recent recognition of her strong multicultural character and new interest in Brazil as an emerging geopolitical powerhouse have combined to once more bring her work into the spotlight. Educated in Italy, she moved to Brazil after World War II following a yearn to humanise architecture, building for peoples everyday needs. This edition of the magazine closely examines her intense professional activity and lasting legacy through four critical essays and profiles of 20 exemplary projects

Lina Bo Bardi, born Achillina Bo (December 5, 1914 – March 20, 1992), was an Italian-born Brazilian modernist architect. A prolific architect and designer, she devoted her working life, most of it spent in Brazil, to promoting the social and cultural potential of architecture and design. While she studied under radical Italian architects, she quickly became intrigued with Brazi...

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Lina Bo Bardi, born Achillina Bo (December 5, 1914 – March 20, 1992), was an Italian-born Brazilian modernist architect. A prolific architect and designer, she devoted her working life, most of it spent in Brazil, to promoting the social and cultural potential of architecture and design. While she studied under radical Italian architects, she quickly became intrigued with Brazilian vernacular design and how it could influence a modern Brazilian architecture. During her lifetime it was difficult to be accepted among the local Brazilian architects, because she was both a "foreigner" and a woman.

She is recognizable for the unique style of the many architectural illustrations she created over her lifetime, along with her tendency to leave poignant notes to herself. She is also known for her furniture and jewelry designs. The popularity of her works has increased since 2008, when a 1993 catalog of her works was republished.[1] A number of her product designs are being revived, and exhibitions such as her 1968 exhibition of glass and concrete easels have been recreated.

3 Luis Fernández-Galiano
‘La dea stanca’ The Tired Goddess
Construir lo cotidiano Building the Everyday
6 Zeuler R. Lima
Comprometida con la vida An Architect Committed to Life
14 Renato Anelli
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3 Luis Fernández-Galiano
‘La dea stanca’ The Tired Goddess
Construir lo cotidiano Building the Everyday
6 Zeuler R. Lima
Comprometida con la vida An Architect Committed to Life
14 Renato Anelli
Del diseño a la artesanía From Design to Crafts
20 Olivia de Oliveira
La dimensión simbólica The Symbolic Dimension
26 Guilherme Wisnik
Un legado antropológico An Anthropological Legacy
Un camino divergente A Different Path
34 Casa de Vidrio, 1951, São Paulo (Brasil)
Glass House, 1951, São Paulo (Brazil)
42 Casas económicas, 1951
Affordable Housing, 1951
44 Museo en la orilla del océano, 1951, São Vicente (Brasil)
Museum on the Seashore, 1951, São Vicente (Brazil)
46 Museo de Arte de São Paulo, 1957-1968, São Paulo (Brasil)
Museum of Art of São Paulo, 1957-1968, São Paulo (Brazil)
58 Casa Valéria P. Cirell, 1957-1958, São Paulo (Brasil)
Valéria P. Cirell House, 1957-1958, São Paulo (Brazil)
62 Casa do Chame-Chame, 1958-1964, Salvador de Bahía (Brasil)
Chame-Chame House, 1958-1964, Salvador (Brazil)
66 Rehabilitación del Solar do Unhão, 1959-1963, Salvador de Bahía (Brasil)
Solar do Unhão Refurbishment, 1959-1963, Salvador (Brazil)
70 Conjunto Itamambuca, 1965, Ubatuba (Brasil)
Itamambuca Complex, 1965, Ubatuba (Brazil)
72 Comunidad cooperativa Camurupim, 1975, Propriá (Brasil)
Cooperative Community Camurupim, 1975, Propriá (Brazil)
74 Iglesia Espírito Santo do Cerrado, 1976-1982, Uberlândia (Brasil)
Espírito Santo do Cerrado Church, 1976-1982, Uberlândia (Brazil)
78 Capilla Santa Maria dos Anjos, 1977, Ibiúna (Brasil)
Santa Maria dos Anjos Church, 1977, Ibiúna (Brazil)
80 SESC Fábrica Pompéia, 1977-1986, São Paulo (Brasil)
SESC Pompéia Factory, 1977-1986, São Paulo (Brazil)
90 Valle Anhangabaú Tobogã, 1981, São Paulo (Brasil)
Anhangabaú Tobogã Valley, 1981, São Paulo (Brazil)
92 Renovación del Teatro Oficina, 1984, São Paulo (Brasil)
Teatro Oficina Renovation, 1984, São Paulo (Brazil)
94 Renovación del teatro Politheama, 1985, Jundiaí (Brasil)
Politheama Theater Renovation, 1985, Jundiaí (Brazil)
96 Centro histórico de Salvador de Bahía, 1986, Salvador de Bahía (Brasil)
The Historic Center of Salvador, 1986, Salvador (Brazil)
100 Proyecto Barroquinha, 1986, Salvador de Bahía (Brasil)
Barroquinha Project, 1986, Salvador (Brazil)
104 Centro cultural Casa do Benin, 1987, Salvador de Bahía (Brasil)
Benin House Cultural Center, 1987, Salvador (Brazil)
110 Ladeira da Misericórdia, 1987-1988, Salvador de Bahía (Brasil)
Ladeira da Misericórdia, 1987-1988, Salvador (Brazil)
116 Nueva sede del Ayuntamiento de São Paulo, 1990-1992, São Paulo (Brasil)
New Home for the São Paulo City Hall, 1990-1992, São Paulo (Brazil)
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