Iconology, Neoplatonism, and the Arts in the Renaissance

The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic.

The Neoplatonism in the books by Marsilio Ficino and Gio...

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The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic.

The Neoplatonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for its lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians concerned with the history of their own discipline – and also those whose research is on the art and culture of the Italian Renaissance itself – with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology.

The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.

Introduction
Sergius Kodera
1. Erwin Panofsky’s Idea (1924)
Andreas Thielemann
2. "My Friend Ficino". Art History and Neoplatonism: From Intellectual Beauty to Material Beauty
Stéphane Toussaint
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Introduction
Sergius Kodera
1. Erwin Panofsky’s Idea (1924)
Andreas Thielemann
2. "My Friend Ficino". Art History and Neoplatonism: From Intellectual Beauty to Material Beauty
Stéphane Toussaint
3. Seeing and the Unseen: Marsilio Ficino and the Visual Arts
Valery Rees
4. Negotiating Neoplatonic Image Theory: The Production of Mental Images in Marsilio Ficino and Giovan Battista della Porta’s Magic Lamps
Sergius Kodera
5. In Quest of Beauty: Gender Trouble in the Orlando Furioso
Marlen Bidwell-Steiner
6. Neoplatonism and Biography: Michelangelo's Ganymede before and after Tommaso do' Cavalieri
Berthold Hub
7. Botticelli’s Primavera and Contemporary Commentaries
Angela Dressen
8. "HIC EST HOMO PLATONIS": Two Embodiments of Platonic Concepts of Man in Renaissance Art
Jeanette Kohl
9. Iconology as a Spiritual Exercise: The compositio loci in Ignatius of Loyola
Paul Richard Blum
10. Neither Drunk nor Sober: Dionysiac Inspiration and Renaissance Artistic Practices
Francois Quiviger
Appendix: Twilight of the Gods for Neoplatonism (1986/1992)
Horst Bredekamp
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