From Aristotle’s Poetics onwards we recall that what distinguishes the poet from other figures is not the use of verse rather than prose, nor does it involve the recounting of facts versus fiction; rather, as Aristotle says, “the poet is a maker of plots.” Aristotle’s word for “plot” is mythos, and perhaps it is no accident that this myth or plot is also a map,a means of plotting a co...
Bachelard’s topophilicorientation, as he calls it, limits him to those “spaces we love,” to “quite simple images of felicitous space” (xxxi). As such, even where he focuses on the real spaces within a house, such as the cellar or the wardrobe, he is always most interested in the individual subject’s imaginative response to the experience of those spaces. Attached to the domestic space’s ...
正如文学可能是一种绘图手段，绘制出某部作品所表征的地方，这些地方本身也深深浸染在一种文学历史中，这种文学史改变并决定了这些地方将如何被“阅读”或绘制。101 Lawrence 1923 Studies in Classic American Literature：地方精神（由genius loci发展而来，原意是守护某地的精灵）半科学半神秘，渗透于生活在某地的人的思想 102 Woolf两种朝圣精神： 我们要么是情感的朝圣者，在萨克雷按过的门铃上，或在狄更斯在同一扇窗户...
方英译 This article argues that spatiotemporality is embedded in many concepts of the Marxian discourse, where-as Marxism is the most suitable critical discourse for conducting spatial literary studies. By drawing from the work of Fredric Jameson and other theorists, examining some narrative texts, and relying on mapping as the key concept, this article aims to explore how spatial lit-erary stu...
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