引 言 援古及近书写藏书文化史 ···············································1
一、古典时代藏书文化的近代性因素 ············································1
1. 古典时代孕育的现代性因素 ···············································1
2. 近代藏书史书写的问题意识 ···············································2
二、近代藏书文化书写的视角创新 ···············································4
1. 书香文化价值观视角························································5
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引 言 援古及近书写藏书文化史 ···············································1
一、古典时代藏书文化的近代性因素 ············································1
1. 古典时代孕育的现代性因素 ···············································1
2. 近代藏书史书写的问题意识 ···············································2
二、近代藏书文化书写的视角创新 ···············································4
1. 书香文化价值观视角························································5
2. 文化转型视角·································································7
3. 社会史视角····································································9
三、近代藏书文化研究的线索与展望 ·········································· 25
1. 近代藏书文化嬗变的线索················································ 25
2. 近代藏书文化研究展望··················································· 27
第一章 多维透视:中国藏书文化的伟大传统与晚清社会 ········· 31
一、中学西学之融汇 ······························································· 32
1. 古代藏书文化的流略传统················································ 33
2. 晚清社会变局与文化危机················································ 39
二、公藏理念的传播 ······························································· 44
1. 传统社会价值观的危机与近代化变革 ································· 44
2. 传统藏书理念的双重性与图书馆思潮 ································· 47
第二章 文化创伤:书厄频发的社会殷鉴································· 56
一、近代藏书文化的新进展及其顿挫 ·········································· 56
1. 甲骨东渡的遗恨···························································· 56
2. 敦煌西流的国殇···························································· 62
二、私藏之殇与皕宋楼阴影 ······················································ 70
1. 琴剑飘零皕宋空的年代··················································· 70
2. 考文献而爱旧邦的努力··················································· 76
第三章 中西并存:书业的壶里春秋········································ 78
一、近代书肆与文人淘书之趣 ··················································· 78
1. 琉璃厂黄金时代来临······················································ 78
2. 南方新旧书业的兴起······················································ 98
二、近代书局与出版业的兴盛 ··················································106
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0 有用 , 2025-07-03 14:20:00 江苏
第十章第二节,大咧咧写着浙江吴县,一眼就觉得不对。果然正文是江苏吴县。《书归何处:近代以来藏书文化与社会》是历史学者王安功基于国家社科基金项目的阶段性成果,通过对近代藏书文化嬗变的多维透视,揭示了藏书活动与社会转型的深层互动关系。藏书文化嬗变本质是社会结构的镜像。典籍从私密空间走向公共领域的过程,既是知识权力重新分配的结果,也是民族文化认同重塑的缩影。
0 有用 张驴儿 2025-07-04 15:47:06 浙江
杂乱无章的拼盘书,看不出作者的思路。江苏吴县,写成浙江吴县,作者和编辑都要打屁股。余论狗尾续貂。附件(附录???)二写参会感受,目录前还配了莫名其妙的照片,够奇葩的。
2 有用 晨光先生 2022-08-08 19:33:36
题目乱七八糟,章节花里胡哨,内容水拉吧唧