大海，飞鸟和学者

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• 《春天与燃烧时节的静物写真》 暖天，三月初。花苞整齐，撑破了它们的罩衫 布满了李子树。哀悼的鸽子蓝色的吟唱。 又是那个时节， 放松的时间，悲伤的时间 降临在大地上。 我们感受到它的存在，一个不知将来如何的明亮的不确定性 用甜蜜的新生让我们的皮肤膨胀，一种疾病 让我们充满热爱 请求我们去爱它。 我们也是如此这般，假设 时间与情感是我们所需回应的一切。 Warm day，early March.The buds preen，busting their shirtwaists All over the plum trees.Blue moan of the mourning dove. It's that time again， time of relief，time of sorrow The earth is afflicted by. We feel it ourselves，a bright uncertainty of what's to come Swelling our own skins with sweet renewal，a kind of disease That holds our affections dear and asks us to love it. And so we do，supposing That time and affection is all we need answer to。 赖特说，对于一些人，时间和情感可能是唯一的标准。不过，就像霍普金斯一样，在高呼“没有什么比春天更美”之后，还要回应自己所深知的末世论，赖特也不能在这充满感官愉悦的时刻停息。他以艾略特式的对于“皮肤下的头骨... (查看原文)

  安弦 3赞 2024-04-01 23:29:44

• Between 1889 and 1899, he saw the end of the century principally, as I’ve mentioned, in terms we are accustomed to think characteristic of the nineteenth-century fin de siècle—weariness, exhaustion, enervation. These are qualities a young man delights to express as, for the first time, he represents experience to himself as repetitive, too thoroughly known, too exhaustively foreseeable. (查看原文)

  别冶犬🌅 2022-05-05 22:26:28

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