This is the story of the marriage behind some of the most famous literary works of the 20th century —and a probing consideration of what it means to be a wife and a writer in the modern world.
At the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her wr...
This is the story of the marriage behind some of the most famous literary works of the 20th century —and a probing consideration of what it means to be a wife and a writer in the modern world.
At the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her writing deadlines. She needed help, and George Orwell came to her rescue.
"I’ve always loved Orwell," Funder writes, "his self-deprecating humour, his laser vision about how power works, and who it works on." So after rereading and savoring books Orwell had written, she devoured six major biographies tracing his life and work. But then she read about his forgotten wife, and it was a revelation.
Eileen O’Shaughnessy married Orwell in 1936. O’Shaughnessy was a writer herself, and her literary brilliance not only shaped Orwell’s work, but her practical common sense saved his life. But why and how, Funder wondered, was she written out of their story? Using newly discovered letters from Eileen to her best friend, Funder re-creates the Orwells’ marriage, through the Spanish Civil War and the Second World War in London. As she peeks behind the curtain of Orwell’s private life she is led to question what it takes to be a writer—and what it is to be a wife.
A breathtakingly intimate view of one of the most important literary marriages of the twentieth century, Wifedom speaks to our present moment as much as it illuminates the past. Genre-bending and utterly original, it is an ode to the unsung work of women everywhere.
作者简介
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ANNA FUNDER is the author of Stasiland and All That I Am, and the novella The Girl with the Dogs. Stasiland, hailed as a ‘classic’, tells true stories of ordinary people who heroically resisted the communist dictatorship of East Germany, and of others who worked for the Stasi. In 2004 Stasiland won the UK’s premier award for non-fiction, the Samuel Johnson Prize, and was a fina...
ANNA FUNDER is the author of Stasiland and All That I Am, and the novella The Girl with the Dogs. Stasiland, hailed as a ‘classic’, tells true stories of ordinary people who heroically resisted the communist dictatorship of East Germany, and of others who worked for the Stasi. In 2004 Stasiland won the UK’s premier award for non-fiction, the Samuel Johnson Prize, and was a finalist for many other awards. Anna’s novel All That I Am is an homage to four German anti-Hitler activists living bravely but precariously in exile in London in the 1930s. All That I Am won many literary awards including Australia’s most prestigious, the Miles Franklin Prize, and was a finalist for the International IMPAC Dublin Award and the Commonwealth Writers Prize. It spent over a year on the bestseller lists, was BBC Book of the Week and Book at Bedtime, and The Times Book of the Month. Both books are international best sellers, published in over twenty-four countries. Originally trained as an international human rights lawyer, Anna is a former DAAD Fellow in Berlin, Australia Council Fellow, and Rockefeller Foundation Fellow. She has lived in Paris, Berlin, and Brooklyn, and now lives in Sydney, Australia.
原文摘录
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For Orwell, his writerly poverty might be a sign of ambition, of dedication, or of failure, but for a wife it is, as Lydia forensically foresees, a portent of hard labour, physical and mental.
The moment one introduces a lover to one’s family is inevitably uncomfortable. Who we choose reveals more about ourselves than we can know, about what we want, and what we need, and the gap between self-revelation and self-knowledge is a chasm of vulnerability. Eileen’s attraction to Orwell perhaps discloses more about her to her family than she can stand: her fatalism and her utter disregard for material things, a passionate commitment to writing, along with the foreshadowing of the fact that this writing — given her wit, her renowned storytelling gift, and her education — will not be her own. (查看原文)
这本书讲述了Eileen, George Orwell's wife 不被看见的一生,这位写出《1984》、《动物农场》的伟大作家把妻子的身影隐藏于自己的笔下,近乎“残暴”地对待生命里出现的各种女性,对他来说,wife是一种职业,it's a job vacancy. 他需要有人替他整理书稿、处理家务、买菜做饭、...
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2 有用 dawnfirefly 2024-06-23 21:53:02 中国香港
渣男!虽然理解作者的出发点,但文字主观性太强,反而给可信度打了折扣,有些可惜。
8 有用 L 2024-08-14 16:07:02 澳大利亚
How men can imagine themselves innocent in a system that benefits them at other’s cost.
0 有用 阿淡阿淡 2024-02-18 03:50:23 美国
好气
0 有用 两眼一睁就是看 2024-11-24 22:38:37 广东
已经无法直视书柜里的一切奥威尔
10 有用 Young_To 2024-06-10 15:15:54 美国
曾经非常喜欢乔治奥威尔 可以说他是影响我英文写作最重要的人没有之一 大学时期曾有意学习过奥威尔散文的行文与断句 这种影响甚至至今仍然存在 但这本书让我对奥威尔感到愤怒至极 更愤怒的是 Eileen的一生不止是作为奥威尔的妻子的一生 她完全可能是任何男性作家的妻子 如此聪慧优秀的女性却活了如此孤独无助又短暂的一生 我是真的很想骂人