Small Cinemas of the Andes

This book examines the emergence of small cinemas of the Andes, covering digital peripheries in Ecuador, Bolivia, Peru and Colombia. The volume critically assesses heterogeneous audiovisual practices and subaltern agents, elucidating existing tensions, contradictions and resistances with respect to established cinematic norms. The reason these small cinematic sectors are of int...

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This book examines the emergence of small cinemas of the Andes, covering digital peripheries in Ecuador, Bolivia, Peru and Colombia. The volume critically assesses heterogeneous audiovisual practices and subaltern agents, elucidating existing tensions, contradictions and resistances with respect to established cinematic norms. The reason these small cinematic sectors are of interest is twofold: first, the film markets of the aforementioned countries are often eclipsed by the filmmaking giants of Mexico, Brazil and Argentina; second, within the Andean countries these small cinemas are overshadowed by film board-backed cinemas whose products are largely designed for international film festivals.

Diana Coryat is a media educator and practitioner affiliated with Mendocino College in California and Universidad Andina Simón Bolívar in Ecuador. She holds a Ph.D. in Communication from the University of Massachusetts Amherst.

Christian Leon is a professor at Universidad Andina Simón Bolívar in Ecuador and a visiting professor at the Facultad Latinoamericana de Ciencias Social...

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Diana Coryat is a media educator and practitioner affiliated with Mendocino College in California and Universidad Andina Simón Bolívar in Ecuador. She holds a Ph.D. in Communication from the University of Massachusetts Amherst.

Christian Leon is a professor at Universidad Andina Simón Bolívar in Ecuador and a visiting professor at the Facultad Latinoamericana de Ciencias Sociales (FLACSO) (Ecuador). He holds a Ph.D. in Social Sciences at Universidad de Buenos Aires.

Noah Zweig is a research professor affiliated with Arizona State University Online and Universidad Internacional del Ecuador. He holds a Ph.D. in Film and Media Studies from the University of California, Santa Barbara.

Contents
1 Introduction: Theorizing and Contextualizing Small(er) Cinemas of the Andes1
Diana Coryat, Christian Leónand Noah Zweig
Part I Filming Smaller Nations
2 Filming the Andes: Contemporary Aesthetic Configurations of the Andean World29
Karolina Romero
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Contents
1 Introduction: Theorizing and Contextualizing Small(er) Cinemas of the Andes1
Diana Coryat, Christian Leónand Noah Zweig
Part I Filming Smaller Nations
2 Filming the Andes: Contemporary Aesthetic Configurations of the Andean World29
Karolina Romero
3 Technological Appropriation and Audiovisual Sovereignty in an Indigenous Key47Pablo Mora Calderón
4 Indigenous Audiovisual Producers of Ecuador: An Integral Practice of “Cosmovivencia”73
Eliana Champutiz
5 Indigenous Audiovisual Practices, Post-National Discourses and Poetics of the Small91
Christian León
6 Audiovisual Practices and Production of the Commons115
Luz Estrello, Julio César Gonzales Oviedoand Amanda Gonzales Cordova
Part II Images of the Small Community
7 Recovering One’s Own Voice to Redefine What is Visible, Desirable and Possible: La Escuela Audiovisual Al Borde137
Ana Lucia Ramírez Mateus
8 Ojo Semilla: Weaving Feminisms Through Community Cinema157
Diana Coryat, Carolina Dorado Lozanoand Karla Valeri Morales Aguayo
9 From the Festival-as-Event to the Festival-as-Process: A Journey Through Community Film Festivals in Colombia179
Natalia López Cerquera
10 Eco-Territorial Cinema: An Intercultural, Translocal, and Expanded Community Process197
Yadis Vanessa Vanegas-Toala
otes Toward a History of Amateur Filmmaking in Guayaquil219
Libertad Gills
12 Ay De Mí Que Ardiendo,…¡Puedo!An Extensive Note on María Galindo’s Bastard Cinema235
Viola Varotto
Part III Guerrilla, Regional and Peripheral Cinema
13 Rethinking Subaltern “Modernities:” El Cine Chonero Popular, 1994–2015257
Noah Zweig
14 Peruvian Regional Cinema279
Emilio Bustamanteand Jaime Luna-Victoria
15 Minor Cinemas, Major Issues: Horror Films and the Traces of the Internal Armed Conflict in Peru303
Diana Cuéllar Ledesma
16 Colombian Popular Cinemas: Expressions from and About Violence325
Luisa González
17 Images of Difference in Bolivian Cinema347
Sergio Zapata
Index363
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