From rare book dealer and guest star of the hit show Pawn Stars, a page-turning literary adventure that introduces readers to the women writers who inspired Jane Austen—and investigates why their books have disappeared from our shelves.
Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen’s books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more.
But Austen wasn’t a lone genius. She wrote at a time of great experimentation for women writers—and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen’s work. Every character in Northanger Abbey who isn’t a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase “pride and prejudice” came from Frances Burney’s second novel Cecilia. The women that populated Jane Austen’s bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn’t Romney—despite her training—ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon?
Jane Austen’s Bookshelf investigates the disappearance of Austen’s heroes—women writers who were erased from the Western canon—to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth—and recounts Romney’s experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen’s. Romney collects the once-famed works of these forgotten writers, physically recreating Austen’s bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen’s Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favorite novels.
0 有用 - 2025-03-25 19:17:12 上海
两天极速看完了…… 搜了下开本还挺大的(。整体来说是比较轻松愉快的阅读体验,作者的节奏把握得还不错,身为rare book dealer &collector,从自己藏书的经历开始引出正题。个人心路历程与此次“发现之旅”结合的恰到好处,没有熟读简奥斯汀的作品也影响不大。抛开对于提到的几位作家的具体描述,总结起来就还是抑制女性写作那一套,先贬低她擅长的genre,然后窄化她的写作范围,当然啦再质疑一... 两天极速看完了…… 搜了下开本还挺大的(。整体来说是比较轻松愉快的阅读体验,作者的节奏把握得还不错,身为rare book dealer &collector,从自己藏书的经历开始引出正题。个人心路历程与此次“发现之旅”结合的恰到好处,没有熟读简奥斯汀的作品也影响不大。抛开对于提到的几位作家的具体描述,总结起来就还是抑制女性写作那一套,先贬低她擅长的genre,然后窄化她的写作范围,当然啦再质疑一下作品里最出彩的部分是男性友人写的,以及文学史上同一时期女性作家也是有配额的,出现了简奥斯汀其他人就自动被贬低被隐去了。看作者抽丝剥茧去重现这些作家的作品与生平也很有意思,我友引用“人物侧写”这个描述也很恰当。还有很多精彩的小段落之后写长评展开 (展开)