A revolutionary book tracing the collapse of the paradigms that have organized the world for centuries
In Dysphoria Mundi, Paul B. Preciado, best known for his 2013 cult classic Testo Junkie, has written a mutant text assembled from essays, philosophy, poetry, and autofiction that captures a moment of profound change and possibility. Rooted in the isolation of the COVID-19 pandemic, and taking account of the societal convulsions that have ensued, Preciado tries to make sense of our times from within the swirl of a revolutionary present moment.
The central thesis of this monumental work is that dysphoria, to be understood properly, should not be seen as a mental illness but rather as the condition that defines our times. Dysphoria is an abyss that separates a patriarchal, colonial, and capitalist order hurtling toward its end from a new way of being that, until now, has been seen as unproductive and abnormal but is in fact the way out of our current predicament.
With echoes of visionaries such as William S. Burroughs and Kathy Acker, Preciado’s theoretical writing is propelled by lyric power while providing us with a critical toolbox full of new concepts that can guide our thinking and our actions: transition, cognitive emancipation, denormalization, disidentification, “electronic heroin,” digital coups, necro-kitsch. Dysphoria Mundi is Preciado’s most accessible and significant work to date, in which he makes sense of a world in ruins around us and maps a joyous, radical way forward.
Review
“Preciado’s monumental work brings the commitments of the bibliophile to bear on a time and a world now irreversibly out of joint. Drawing on theories of language, mind, technology, immunology to retell a story of this world, Preciado’s work more firmly shatters the binaries responsible for the destruction of love and futurity. Here a song, there a poem, this is thinking across both genre and gender, undoing us in the best sense, and fighting against the worst forms of undoing.” ―Judith Butler
“How lucky we are to have Paul Preciado as companion and interpreter of all we’ve just been through, with a global pandemic―luckier still is the gift of his revolutionary optimism, which runs through his thorough, gritty analysis of our current predicament. If you’re tired of ricocheting between neofascists and doomer dudes, here comes Dysphoria Mundi to recast our situation as ‘the most beautiful (or devastating) collective adventure we have ever embarked on,’ and give us new strategies and inspiration to reconceptualize―and stay on―the ride.”―Maggie Nelson
“Paul Preciado’s singular genius is for writing vividly within the immediacy of everyday life, and then also unraveling from there the deeper historical forces that shape those moments. In Dysphoria Mundi we learn how the invisible traces of a virus thread bodies and societies together, lacing us into shifting regimes of power and commodification. Preciado has that rare ability to lead the reader through familiar situations to unexpected conceptual insight. An essential thinker for the contemporary world.”―McKenzie Wark
1 有用 咸栗 2026-09-23 10:06:06 美国
我一直在试图说明为什么写作风格就是zz立场的体现,Paul B. Preciado的写作完全证明了这一点。写作,为了焚烧、碎裂、焦虑写作,写作怪异与越界。就像你不可能用neurotypical的方式来写neurodivergent,真正有激情的crip/queer写作是色情朋克,脆弱本身是非常性感的,而我们要距离那种伪装自己是hyper rationalist的所谓“学术”写作远远的。
0 有用 alpaca 2026-01-18 06:52:04 奥地利
太喜欢了…完全idol级别
0 有用 苹果尖叫日记 2026-05-05 09:29:58 美国
来自某另外学者的略刻薄评价:写出这本书说明preciado这几年真的不在学术界待了。我读完的感觉是太中规中矩,偏流行,重复内容很多(不管是重复他之前作品还是书里面不断重复)。关于石油/能源之类,这几年研究已经多如牛毛,P并没有太跟上,对于能源/物质的理解也比较单调。总之远远不如<Testo Junkie>。但是我知道,P的目的大概是创作更面向公众的作品,所以,还是表示支持。