The period 1885 to 1917 saw thousands of American crusaders working hard to "save the fallen women," but little on the part of American social protest writers. In this first work on the subject, Laura Hapke examines how writers attempted to turn an outcast into a heroine in a literature otherwise known for its puritanical attitude toward the fallen woman. She focuses on how these authors (all male) expressed late-Victorian conflicts about female sexuality. If, as they all maintained, women have an innate preference for chastity, how could they account for the prostitute? Was she a sinner, suggesting the potential waywardness of all women? Or, if she was a victim, what of her "depravity"? Hapke reevaluates Crane's famous "Maggie: A Girl of the Streets," discusses neglected prostitution fiction by authors Joaquin Miller, Edgar Fawcett, and Harold Frederic, and surveys Progressive white slave novels. She draws on a number of period sources, among them urban guidebooks and medical treatises, to place the fiction in its cultural context.
0 有用 fleurrrr_ 2023-02-01 10:58:31 江苏
关于prostitute的理解,就像女权主义一样充满悖论。不管是将其视为毫无道德标准的下流女性,还是不得已而为之的被迫害者,还是围绕着道德来做文章。反而对prostitue的描写更加强化了女性道德的先天性原则,以及pure angels and fallen angels的二元对立,依旧难逃成为一种道德话语的规训手段。而counter narration的意义要在摆脱道德问题的基础之上才能实现,或... 关于prostitute的理解,就像女权主义一样充满悖论。不管是将其视为毫无道德标准的下流女性,还是不得已而为之的被迫害者,还是围绕着道德来做文章。反而对prostitue的描写更加强化了女性道德的先天性原则,以及pure angels and fallen angels的二元对立,依旧难逃成为一种道德话语的规训手段。而counter narration的意义要在摆脱道德问题的基础之上才能实现,或许这也证实了德莱塞的伟大之处,good or wrong, a question which is meaningless to consider (展开)