Throughout her career, Eva Hesse (1936-1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called 'test-pieces' were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames these small objects studiowork and argues that they put in question conventional notions of what sculpture is. The book contains a comprehensive catalogue of the studiowork, including many new works that have never before been seen in public. Although previously these small works were considered peripheral to the major sculptures, this fascinating new study argues that they force us to ask fundamental questions, not just about what an artwork is, but about the work that art does in our culture.
0 有用 祝羽捷 2024-07-19 20:41:37 上海
这本书是对海瑟“工作室遗留物”的有力研究,提供了一个雕塑家创作空间视角,对于杜尚来说留下的是“小雕塑”,而对于海瑟来说,被费尔定义为“子雕塑”,试图解释艺术家如何通过使用各种材料(包括传统和非传统材料)来探索和扩展雕塑的定义。