作者:
Joseph M. Williams
/
Gregory G. Colomb 出版社: Longman 副标题: Lessons in Clarity and Grace 出版年: 2010-1-14 页数: 288 定价: USD 37.25 装帧: Paperback ISBN: 9780205747467
Engaging and direct, Style: Lessons in Clarity and Grace is the guidebook for anyone who wants to write well.Engaging and direct, Style: Lessons in Clarity and Grace is the guidebook for anyone who wants to write well.
Budget your time for both drafting and revision so that you spend most of it on beginnings: the introduction to the whole, then the introductions to major sections, then introductions to subsections, and long paragraphs, then the beginnings of sentences. Get beginnings straight and the rest is likely to take care of itself. (查看原文)
3.At the end of that introductory segment, readers look for a sentence that states the point of the section, a statement that you expand on in the rest of that unit. When readers see that point sentence at the end of a short, easily grasped opening segment, thay read and understand what follows more easily. (查看原文)
One chapter a day, keep the wordiness away. 行文的风格完全符合了自己提出的要求，没有任何炫技，好读极了，还贼幽默，优化你行文的同时，亦将你从rigidity of grammarians中解救出来。[* The cost of a conceptual problem is not the palpable unhappiness we feel fro...One chapter a day, keep the wordiness away. 行文的风格完全符合了自己提出的要求，没有任何炫技，好读极了，还贼幽默，优化你行文的同时，亦将你从rigidity of grammarians中解救出来。[* The cost of a conceptual problem is not the palpable unhappiness we feel from pain, suffering, and loss; it is the dissatisfaction we feel because we don’t understand something important to us.](展开)
So much of what we called elegant writing depends finally on the subjects matters, the quality of thinking, the elevation of sentiments Maybe the only way to approach elegances is to read enough writing to get a sense of it in your nerves and bones。
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本人MTI专业研一学生，开学初笔译课老师推荐了好几本讲简明英语写作的书，当时很是困惑，读罢此书豁然开朗，对翻译也大有启发，聊以记之—— 翻译也该“以人为本” ——阅读Style--Lessons in Clarity and Grace有感 细细读完整本书，作者开始讲到如何写得简洁易懂，再讲到如何...
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1. Don’t begin sentences with and or but. If you want to begin a sentence with a clause expressing familiar information about causation, introduce the clause with since, because since implies that the reader already knows what is in the clause: 2. Use the ...
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Writing is a difficult task (to say nothing of writing with a second language), no one is in more need of guidance and help than a writer who doesn’t know how to put her thoughts into words in a captivating and convincing way. “Style toward Clarity and Gr...
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Budget your time for both drafting and revision so that you spend most of it on beginnings: the introduction to the whole, then the introductions to major sections, then introductions to subsections, and long paragraphs, then the beginnings of sentences. Get beginnings straight and the rest is likely to take care of itself.
2013-11-26 23:591人喜欢
Budget your time for both drafting and revision so that you spend most of it on beginnings: the introduction to the whole, then the introductions to major sections, then introductions to subsections, and long paragraphs, then the beginnings of sentences. Get beginnings straight and the rest is likely to take care of itself.引自 Lesson 11 Global Coherence
To write a document that readers will think is coherent, open every section, subsection, and the whole with a short, easily grasped introductory segment. Put at the end of that opening segment a sentence that states both the point of the unit and the key concepts that follow. Point sentences constitute the outline of your document, its logical structure. If readers miss them, they may judge you...
2013-11-26 23:49
To write a document that readers will think is coherent, open every section, subsection, and the whole with a short, easily grasped introductory segment. Put at the end of that opening segment a sentence that states both the point of the unit and the key concepts that follow. Point sentences constitute the outline of your document, its logical structure. If readers miss them, they may judge your writing to be incoherent.引自 Lesson 11 Global Coherence
Keep in mind this principle: put the point sentence at the *end* of the short opening segment; make it the *last* sentence that your reader reads before starting the longer, more complex segment that follows.
2013-11-26 23:46
Keep in mind this principle: put the point sentence at the *end* of the short opening segment; make it the *last* sentence that your reader reads before starting the longer, more complex segment that follows.引自 Lesson 11 Global Coherence
Budget your time for both drafting and revision so that you spend most of it on beginnings: the introduction to the whole, then the introductions to major sections, then introductions to subsections, and long paragraphs, then the beginnings of sentences. Get beginnings straight and the rest is likely to take care of itself.
2013-11-26 23:591人喜欢
Budget your time for both drafting and revision so that you spend most of it on beginnings: the introduction to the whole, then the introductions to major sections, then introductions to subsections, and long paragraphs, then the beginnings of sentences. Get beginnings straight and the rest is likely to take care of itself.引自 Lesson 11 Global Coherence
To write a document that readers will think is coherent, open every section, subsection, and the whole with a short, easily grasped introductory segment. Put at the end of that opening segment a sentence that states both the point of the unit and the key concepts that follow. Point sentences constitute the outline of your document, its logical structure. If readers miss them, they may judge you...
2013-11-26 23:49
To write a document that readers will think is coherent, open every section, subsection, and the whole with a short, easily grasped introductory segment. Put at the end of that opening segment a sentence that states both the point of the unit and the key concepts that follow. Point sentences constitute the outline of your document, its logical structure. If readers miss them, they may judge your writing to be incoherent.引自 Lesson 11 Global Coherence
Keep in mind this principle: put the point sentence at the *end* of the short opening segment; make it the *last* sentence that your reader reads before starting the longer, more complex segment that follows.
2013-11-26 23:46
Keep in mind this principle: put the point sentence at the *end* of the short opening segment; make it the *last* sentence that your reader reads before starting the longer, more complex segment that follows.引自 Lesson 11 Global Coherence
李白🐰
University of Chicago Press1995版
山鸡羞渌水
University of Chicago Press1995版
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Budget your time for both drafting and revision so that you spend most of it on beginnings: the introduction to the whole, then the introductions to major sections, then introductions to subsections, and long paragraphs, then the beginnings of sentences. Get beginnings straight and the rest is likely to take care of itself.
2 有用 十月 2012-01-18
另一部力荐的写作指南
0 有用 天又亮了 2016-03-03
很好的书，但如果不是为了写作业打死也不会看的
3 有用 信鸽 2014-01-12
在加拿大读博士的同学强烈推荐我看这本书。今天刚刚读完。这本书由浅入深讨论怎样写得简练、易懂、优美。比如避免用抽象名词；句子主语要靠前，要短；写段落要先铺垫，提出问题，说问题的意义，文章重点，再详细解释。对非文学写作非常有帮助。
0 有用 JR 2016-11-23
又一本让人豁然开朗的好书
0 有用 簡簡箪箪:←~ 2020-04-16
经典
0 有用 选手 2020-04-30
书如其名，简洁优雅，掷地有声。我啥时候能写成这样。
0 有用 簡簡箪箪:←~ 2020-04-16
经典
0 有用 电胆马 2020-03-26
One chapter a day, keep the wordiness away. 行文的风格完全符合了自己提出的要求，没有任何炫技，好读极了，还贼幽默，优化你行文的同时，亦将你从rigidity of grammarians中解救出来。[* The cost of a conceptual problem is not the palpable unhappiness we feel fro... One chapter a day, keep the wordiness away. 行文的风格完全符合了自己提出的要求，没有任何炫技，好读极了，还贼幽默，优化你行文的同时，亦将你从rigidity of grammarians中解救出来。[* The cost of a conceptual problem is not the palpable unhappiness we feel from pain, suffering, and loss; it is the dissatisfaction we feel because we don’t understand something important to us.] (展开)
0 有用 施釉. 2020-03-04
非常棒的写作书！把握了行文乃至构思的核心 对于阅读都很有助益！内容翔实同时通俗易懂 在写作书里太难得了！
0 有用 郝海龙 2019-08-08
If we all wrote non-fictions as suggested in this book, our life would be much easier.