well-written preface concerning the general evaluation of early Japanese film as well as its relevant studies. Using discursive study as the method, the author arguably put that the cinema is not a preexisting subject, but rather a concept born and shaped within divers discours.
作者: Aaron Gerow 副标题: Articulations of Cinema, Nation, and Spectatorship, 1895-1925 isbn: 0520254562 书名: Visions of Japanese Modernity 页数: 344 定价: USD 34.95 出版社: University of California Press 出版年: 2010-5-14 装帧: Paperback
0 有用 猫小姐 2015-07-26 07:37:19
早期日本电影史中最喜欢的一本,写得好,观点好,资料丰富,方法论上也有贡献。
0 有用 鸡头井。 2015-03-20 06:25:05
well-written preface concerning the general evaluation of early Japanese film as well as its relevant studies. Using discursive study as the method, the author arguably put that the cinema is not a preexisting subject, but rather a concept born and shaped within divers discours.
0 有用 シリウス 2020-12-23 14:51:00
0 有用 电露泡影 2014-12-22 12:16:20
日本版《銀幕豔史》@@
0 有用 春日妙子 2020-01-15 12:24:31
关于日本早期电影的话语及现代性的研究,理论基于福柯和布尔迪厄,电影之艺术特殊地位与其被辨别成“问题”相互缠绕;审查法以管理内在性的方式形塑了现代主体;两种现代性的博弈;讨论电影审查的视角上蛮有启发的。