This original and imaginative study examines the influence of Victorian spiritualism and Psychical Research on a variety of modern and contemporary female authors. It explores both the material and ghostly connections between women's writing - particularly the work of Michele Roberts, A.S. Byatt, Victoria Glendinning and Sarah Waters - and the practice of mediumship in the nineteenth century. For the first time, it provides a sustained analysis of how and why the haunted world of Victorian spiritualism has been appropriated and reimagined in late twentieth-century fiction. In addition, it shows how many of the apparently unprecedented innovations of modernism are in fact already present in the rituals, performances and documents of the Victorian seance. Supported by compelling archival research throughout, the book not only demonstrates how a unique selection of nineteenth- and twentieth-century texts are bound together by phantasmal ties but also shows how spiritualism forces us to reconsider our wider understanding of history, narrative and the afterlife.
0 有用 石桥于河 2024-05-23 20:37:57 上海
可能是我第一本从头至尾认认真真读完的monograph,研究内容很有意思,各种文献史料的呈现很丰富,文本论证我不太好评价(毕竟作者研究的文本我一本没读过!),但是能感觉到有机的联系,看到Florence Kate那里疯狂向夜壶输出自己的想法,然后不断想到别的有联系的新东西的时候,觉得自己也被possessd了,在进行某种typing automatic writing。在想的一个点是,如果女性写作... 可能是我第一本从头至尾认认真真读完的monograph,研究内容很有意思,各种文献史料的呈现很丰富,文本论证我不太好评价(毕竟作者研究的文本我一本没读过!),但是能感觉到有机的联系,看到Florence Kate那里疯狂向夜壶输出自己的想法,然后不断想到别的有联系的新东西的时候,觉得自己也被possessd了,在进行某种typing automatic writing。在想的一个点是,如果女性写作(无论是事实上的维多利亚spiritualist writing还是文学挪用后的mediumistic writing)是为了颠覆男性书写的历史和传统,用男性psychic的理论框架作为展开论述的基础是不是有点自相矛盾。。。 (展开)