This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on 'the transcultural site' - transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non...
This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on 'the transcultural site' - transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside.
作者简介
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Peng Hsiao-yen is a research fellow at Institute of Chinese Literature and Philosophy, Academia Sinica. She has published Antithesis Overcome: Shen Congwen’s Avant-gardism and Primitivism and, in Chinese, Beyond realism and Desire in Shanghai: From Zhang Ziping to Liu Na’ou.
她（香奈儿）告诉读者，对她而言工作就是金钱，而金钱就是自由:“我必须买到我的自由，无论付出什么代价”( il me fallait acheter ma liberte la payer n' importe quel prix)。换句话说，男人为她买到她需要的自由，让她能追求理想，但是她的成功是工作的结果，而非运气。她在故事中说道:“我成功的秘诀是狂热的工作。” (查看原文)
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0 有用 Hyacinthus 2026-02-19 05:00:35 美国
补
0 有用 Ichi 2024-08-01 23:07:47 北京
导论、一、二、五章值得一读；章节内部结构略乱，另外dandy的理论来源只引波德莱尔和福柯可能略有局限，毕竟dandy形象在19世纪末的欧洲文学里有无数变体，强行定义为一种，再用这个模型去套新感觉派，可能不够开阔。
0 有用 Denying 2024-09-06 19:37:53 上海
对读