'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...
'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'journal', Ernaux turns her penetrating focus on those points in life where the everyday and the extraordinary intersect, where 'things seen' reflect a private life meeting the larger world. From the war crimes tribunal in Bosnia to social issues such as poverty and AIDS; from the state of Iraq to the world's contrasting reactions to Princess Diana's death and the starkly brutal political murders that occurred at the same time; from a tear-gas attack on the subway to minute interactions with a clerk in a store: Ernaux's thought-provoking observations map the world's fleeting and lasting impressions on the shape of inner life.
3.5星。
Things seen in the outside world require everything; most works of art, nothing. 本书是埃尔诺对周遭世界所见所闻所想的随笔集，记录着20世纪最后几年作者在火车、超市、收音机、电视、报纸捕捉到的擦肩而过的转瞬。外部世界的种种映射着自身经历的影子，将个体的记忆和差异置于外部无差别的时间流逝之中。包含许多见证历史...3.5星。
Things seen in the outside world require everything; most works of art, nothing. 本书是埃尔诺对周遭世界所见所闻所想的随笔集，记录着20世纪最后几年作者在火车、超市、收音机、电视、报纸捕捉到的擦肩而过的转瞬。外部世界的种种映射着自身经历的影子，将个体的记忆和差异置于外部无差别的时间流逝之中。包含许多见证历史的时刻，欧元替代法郎，莱温斯基丑闻，戴安娜王妃车祸以及时至今日依然热议的难民议题和恐怖袭击。
“时间流逝的感觉不是来自我们自身。它来自外部，来自成长中的孩子，来自搬离的邻居，来自那些变老和死去的人。”(展开)
0 有用 NW 2022-10-31 03:47:48 美国
很像一册练习写作的“生活速写本”——在快铁、超市、机场、书店或任何日常地点，偶遇一些人，寥寥几笔快速把他们勾勒出来。
0 有用 恩醯NX 2024-12-15 21:23:59 德国
3.5星。 Things seen in the outside world require everything; most works of art, nothing. 本书是埃尔诺对周遭世界所见所闻所想的随笔集，记录着20世纪最后几年作者在火车、超市、收音机、电视、报纸捕捉到的擦肩而过的转瞬。外部世界的种种映射着自身经历的影子，将个体的记忆和差异置于外部无差别的时间流逝之中。包含许多见证历史... 3.5星。 Things seen in the outside world require everything; most works of art, nothing. 本书是埃尔诺对周遭世界所见所闻所想的随笔集，记录着20世纪最后几年作者在火车、超市、收音机、电视、报纸捕捉到的擦肩而过的转瞬。外部世界的种种映射着自身经历的影子，将个体的记忆和差异置于外部无差别的时间流逝之中。包含许多见证历史的时刻，欧元替代法郎，莱温斯基丑闻，戴安娜王妃车祸以及时至今日依然热议的难民议题和恐怖袭击。 “时间流逝的感觉不是来自我们自身。它来自外部，来自成长中的孩子，来自搬离的邻居，来自那些变老和死去的人。” (展开)