Re-Imagining the Museum: Beyond the Mausoleum presents new interpretations of museum history and contemporary museum practices through a range of case studies and by engaging with contemporary theoretical approaches to thinking about museums. In recent years, museums have faced increasing demands for a popular mode of address. Some commentators have aligned themselves with such demands, representing museums as 'mausoleums' weighed down by the past and captive to the interests of elites. Others argue that contemporary museums have broken with the past to become open, democratic institutions. Andrea Witcomb rejects both positions, arguing that museums have a long history of engaging with popular culture and addressing a variety of audiences. Rather than belonging clearly to one or other side, they have been key mediators between high and popular culture and between governmental and other discourses. Witcomb traces this function, both past and present, by looking at relations between museums and other areas of public culture, particularly the media. The book analyses links between museums and the media, looks at the role of museums in modern and postmodern cities and discusses the effects on museums of contemporary cultural policies. Interdisciplinary in approach, the book engages with a variety of contemporary commentators on museums from the UK, North America and Australia. The case studies used will be of interest to a wide audience; the Australian examples in particular provide much-needed exposure of Australian museum practices, presented in a way that will be relevant to an international readership.
1 有用 J 2024-01-31 13:02:59 澳大利亚
作者没有给博物馆做一个明确的定位,而是在理论和实践中试图充当协调者和翻译者的角色。最后对新媒体使用的分类与观点很有洞见。
3 有用 柳智敏 2020-05-30 14:48:55
非常好的一本书,提出了很多有用的观点。后现代的批评家把博物馆看作是现代性的表征,因此要与过去割裂。但作者却认为博物馆领域的很多现象都是源于过去的,是具有延续性的。对于本尼特等人把博物馆看作是文明化的装置和权力关系的展演场所,作者也提出了批评。一些博物馆是为了发展经济,吸引游客而建立的,在这种情况下,博物馆的观众不再是单一的市民,公众群体,而变成了有不同需求和兴趣的游客,market niches。... 非常好的一本书,提出了很多有用的观点。后现代的批评家把博物馆看作是现代性的表征,因此要与过去割裂。但作者却认为博物馆领域的很多现象都是源于过去的,是具有延续性的。对于本尼特等人把博物馆看作是文明化的装置和权力关系的展演场所,作者也提出了批评。一些博物馆是为了发展经济,吸引游客而建立的,在这种情况下,博物馆的观众不再是单一的市民,公众群体,而变成了有不同需求和兴趣的游客,market niches。它们之间的关系也不再是规训和文明化,而是消费、休闲和娱乐。第六章提出了3种交互方式,技术交互,空间交互和对话交互。这么看来,国内大部分的交互都是技术性交互,即在线性叙事中利用多媒体技术与观众进行互动。可能也有部分空间交互,供观众自己选择展览路线和内容叙事。 (展开)
0 有用 杰小卡爱摸鱼 2019-07-01 03:30:16
chapter 6
1 有用 #翠花# 2018-10-01 02:35:31
读了差不多四分之三,是很有趣的关于博物馆的理论书