出版社: Stanford University Press
副标题: The Politics of Culture in Beijing, 1770–1900
出版年: 2012-6-27
页数: 384
定价: USD 55.00
装帧: Hardcover
ISBN: 9780804778312
内容简介 · · · · · ·
In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values.
It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural...
In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values.
It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.
作者简介 · · · · · ·
Andrea S. Goldman is an Associate Professor of History at University of California, Los Angeles.
目录 · · · · · ·
list of illustrations
reign periods of the ming and qing dynasties
overture
part one audience and actors
1 opera aficionados and guides to boy actresses
· · · · · · (更多)
list of illustrations
reign periods of the ming and qing dynasties
overture
part one audience and actors
1 opera aficionados and guides to boy actresses
the texts
the connoisseurs
the Lao Dou and other patrons
conclusion
part two venues and genres
2 metropolitan operas, border crossing and the state
the playhouse
the temple fair
the salon
conclusion
3 musical gentre, opera hierachy and court patronage
Yabu and Huabu
court patronage and regulation to circa 1860
genre delineation and the opera marketplace
court patronage and regulation after 1860
conclusion
part three social melodrama and the sexing of political complaint
the garden of Turquoise and Jade and its sources
garden and the ethics of early Qing
Suzhou playwright
garden on the commercial stage
conclusion
5 s*ex versus violence in "I, sister in law" operas
the stories
from page to stage
Kunju performances in context
eighteenth century court appropriation of "I, sister in law" operas
violence and the reinstantiation of moral order in the Pihuang tradition
conclusion
CODA
APPENDICES
LIST OF CHARACTERS
NOTES
BIBLIOGRAPHY
INDEX
· · · · · · (收起)
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《文化中的政治》:戏园里的权力博弈
巫仁恕评《文化中的政治》︱清代京城戏剧的跨界研究
> 更多书评 7篇
论坛 · · · · · ·
Interview with Andrea Goldman | 来自Woody | 2014-04-15 06:00:24 |
这本书的其他版本 · · · · · · ( 全部3 )
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社会科学文献出版社 (2018)8.1分 435人读过
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Stanford University Press (2013)暂无评分 1人读过
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- 在豆瓣转让 有318人想读,手里有一本闲着?
订阅关于Opera and the City的评论:
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2 有用 discourse 2016-11-22 00:49:36
12年的新书,申请目标之一。
1 有用 我家狗叫茅台 2014-05-16 17:48:36
有些地方后现代的习气过了些,作为一本列文森奖得奖作品,让我联想到了当年周锡瑞对《怀柔远人》的批评。Susan Naquin 在HJAS上的书评有点意思。
0 有用 狂而无依 2017-07-22 02:55:45
感觉是生词最多的一本书,第三部分对具体戏剧的分析感觉与其它章节不太合拍。
0 有用 🍅 2021-01-02 15:56:54
从十月初拖到现在终于看完了... 从opera来看清朝社会的转变;用的材料(花谱等)还有对不同戏曲种类与地方文化、性别、阶级差异的分析蛮有意思,但个人感觉结论有点太obvious了,Part3和Coda重点落到太平天国的影响,可是历史背景材料又用的太少了点
0 有用 蕺水 2018-10-16 07:49:55
文笔好得让人艳羡; 既能叙述流畅,又能对各种文本(戏曲、小说和清宫档案) 有很好的解读。鸡蛋里挑骨头,唯一让人困惑的是结论部分,从清廷在19世纪下半叶对皮簧的支持和北京城皮簧的流行来说清廷和普通汉人在文化上合流, 进而说是清廷对自己Manchu ethnicity的再造(reinventation)和正统化(legitimization),似乎结论太宏大了, 宜scale back.
0 有用 玉笼鹦鹉 2021-03-25 11:46:50
突然发现20世纪以来相声行业的发展可以接上这个脉络继续写。。。国家-社会对雅/俗文化定义权的争夺,国家对潜在威胁的驯化规范--大众文化的越界到诏安到再逃逸。。。想想蛮有趣的。。
0 有用 台湾古早味蛋糕 2021-03-14 17:12:53
为了写读书报告看完了整本书。既视角新颖,立意独特,又考证功夫到家。现在该琢磨怎么对付读书报告了。
0 有用 🍅 2021-01-02 15:56:54
从十月初拖到现在终于看完了... 从opera来看清朝社会的转变;用的材料(花谱等)还有对不同戏曲种类与地方文化、性别、阶级差异的分析蛮有意思,但个人感觉结论有点太obvious了,Part3和Coda重点落到太平天国的影响,可是历史背景材料又用的太少了点
0 有用 Mimì 2020-07-24 15:52:02
最重要的兩點:一是以太平天國為戲劇史分水嶺,挑戰道學一統江湖後線性敘事。二是反思哈貝馬斯公共空間植入傳統社會的可行性--在民主概念缺席的情況下 怎麼談理性的社會制衡?
0 有用 汤酥 2019-09-08 23:59:43
紧赶着看了几页,从戏曲看清代的城市生活与社会流动,清廷对戏曲态度及背后原因、满族统治者与江南文人精英的文化竞争,不同戏曲派别的竞争、皮黄戏最后胜出的原因,戏曲中的gender representation及其暗示/表达出来的世道人心、戏园子内外的八旗子弟、市井百姓还有从业人员、文化精英。