(p.277) The adoption of elements of foreign theatre traditions in intercultural performances in the last fifteen to twenty years seems, in all the multiplicity of its forms, tasks and goals, to fulfil a significant and far-reaching function which is shared by all the cultures in one important respect: all the performances are unanimously described and evaluated as the instrument or vehicle of recreation in the traditional, native theatre form and repertoire of an established theatre which had been the norm until the 1960s. (查看原文)
p.278) Clearly, where there is a specific disposition towards the appropriation of the 'foreign' to be encountered, the aesthetic function of an intercultural performance towards the re-creation and revitalization of the own theatre is fulfilled in a particularly enduring, multi-divergent and successful way. (查看原文)
还没人写过短评呢
还没人写过短评呢