第16页 The Most Multifarious Art of Style
- 章节名:The Most Multifarious Art of Style
- 页码:第16页
1, posthumous, 死后的· 2,hermeneutical, 诠释学的,relating to the interpretation of Scripture, using or relating to hermeneutics. 3, construe, make sense of;assign a meaning to. 4, envisage, form a mental image of something that is not present or that is not the case. Heidegger: 试图找出尼采的碎片所能组成的整体思想,尤其是通过posthumous works(不同于Kaufmann注重生前出版物) Derrida:所谓fragments,首先其本身是该属于某种整体性物件的一部分,而分析fragments则会对这个整体物件产生误读。---->理同盲人摸象 lack of context导致lack of style, for style depends on the existence of interconnection among pieces of language that, insofar as they are interconnected, are no longer fragments in his sense. Therefore, even if one knows the meaning of the terms constituting a fragment, one still lacks the ability to offer an interpretation of it. ---->作者:德里达因此反对海德格尔式对尼采的诠释,是因为德里达从根本上认为尼采的fragments are essentially lack a context, a whole to which they belong, and to which an appeal is necessary if we are to interpret them. ----->按德里达的意思,ideas之间是由语言联系起来的,因而fragmentary ideas无法提供一个整体性的思维,即使去分析fragments也没用。但是,ideas之间的联系只能依靠语言吗?
阿提斯对本书的所有笔记 · · · · · ·
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第7页 Introduction
啊呀这书不错。 The eternal recurrence is therefore not a theory of the world but a view...
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第14页 The Most Multifarious Art of Style.
1, aphorism, 格言警句,a short witty sentence which expresses a general truth or commen...
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第16页 The Most Multifarious Art of Style
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第31页 The Most Multifarious Art of Style
It is true that Nietzsche's texts, compared to many other philosophical works,often say...
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第35页 The Most Multifarious Art of Style
He is constantly resisting the dogmatic self-effacement that is directed at convincing ...
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