文化与公共性

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• "Civil society" in this sense refers to what the Leninist model ofrule had essentially negated . That model aros e fist in the Soviet Union, then was reproduced in other "Marxist-Leninist" regimes, finally was imitated more or less completely, and sometimes caricatura\ly, by a nurnr of newly in dependent third-world countris. The essential virtue of the model for its protagonists was that it offred a kind oftotal mobilization ofsociet toward what were seen as revolutionary goals. The central instruent was a van guard part dominated hy a revo1utionar ehte. And a cruial feature ofthis system was the satellitization of all aspects of social life to this part. Trade unions, leisure clubs, even churches, all had to be permeated and made into "transmission belts" of the party's purposes. Leninis... (查看原文)

  [已注销] 2赞 2016-08-28 12:14:56

• 媒体图景，其生产者是私人利益还是国家利益姑且不论，总是倾向于以形象为中心以叙事为基础来描绘现实世界，它们用来款待消费者而且也是用来改造他们的节目，是构造想象的生活——既是消费者自己的想象的生活，也是异国他乡的别人的想象的生活——所需要的各种原料，如人物形象、故事情节和文本形式。这些节目能够而且确实把各种风马牛不相及的东西拼凑成晦涩暧昧的，但又是人们赖以生存的隐喻，因为它们有助于构造有关他者的叙事，以及有关可能的生活的元叙事与幻觉，这些东西有可能进一步激发占有和流动的欲望。 (查看原文)

  Pierre Mignard 1赞 2014-03-06 21:26:43

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