作者:
Edward W. Said
/
Daniel Barenboim 出版社: Vintage 副标题: Explorations in Music and Society 出版年: 2004-3-1 页数: 208 定价: USD 15.00 装帧: Paperback ISBN: 9781400075157
These free-wheeling, often exhilarating dialogues—which grew out of the acclaimed Carnegie Hall Talks—are an exchange between two of the most prominent figures in contemporary culture: Daniel Barenboim, internationally renowned conductor and pianist, and Edward W. Said, eminent literary critic and impassioned commentator on the Middle East. Barenboim is an Argentinian-Israeli a...
These free-wheeling, often exhilarating dialogues—which grew out of the acclaimed Carnegie Hall Talks—are an exchange between two of the most prominent figures in contemporary culture: Daniel Barenboim, internationally renowned conductor and pianist, and Edward W. Said, eminent literary critic and impassioned commentator on the Middle East. Barenboim is an Argentinian-Israeli and Said a Palestinian-American; they are also close friends.
As they range across music, literature, and society, they open up many fields of inquiry: the importance of a sense of place; music as a defiance of silence; the legacies of artists from Mozart and Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; and the need for “artistic solutions” to the predicament of the Middle East—something they both witnessed when they brought young Arab and Israeli musicians together. Erudite, intimate, thoughtful and spontaneous, Parallels and Paradoxes is a virtuosic collaboration.
对话中思维流动性很大，不是全都理解了的。整本书看下来感觉Said太急于将话题扩展到自我认同、全球化、人权等方面，引导性和目的性太强，Barenboim虽然思维有些跳跃，但在音乐上的见解很深，如贝四中的psychology of tonality和纵观下Wagner在音乐上的成就和地位。这两人的搭配使得这本书有一定的广度和深度，值得一读。
“……'Music is sonorous air.' Everything else that is said about music refers to the different reactions that music evokes in people: it is felt to be poetic, or sensual, or spiritual, or emotional, or formally fascinating……music is everything and nothin...
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和而不同 Parallels and Paradoxes: Explorations in Music and Society 平行与矛盾——在音乐与社会中的探索 其实，原书名已开宗明义，这是两个不同专业的人中翘楚的共识与异识，重要的，他们并非交斗攀比，而是交流分享；也许，划定专业分类以别不是画地为牢囿于专业空间，...
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Grammophon
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0 有用 BuBu 2022-12-31 22:03:43 上海
从侧面又了解到不少关于德国现当代史的种种，多元身份是艺术之家。书评已发公众号，待搬运。
0 有用 Nuit Blanche 2019-12-05 22:06:34
Daniel Barenboim: “I think that every great work of art has two faces: one toward its own time and one toward eternity”.
0 有用 信封在等邮票 2013-01-04 10:03:20
英文看的还是慢。这本回头一定写书评。
0 有用 豆友58906132 2013-04-17 18:35:34
A rare combination of a book: rich in both intellect and moral courage.
1 有用 Susana 2022-01-02 00:26:01
我有时候觉得Said是故作高深，对音乐过度解剖，陷入了机械论。同时，他有不懂装懂的地方，但都被他用繁复的修辞掩盖了。在与职业音乐家对话时，他的故作高深、寻辞考据和死拽话题就显得无知而做作。很多时候他的钻牛角尖都被Barenboim巧妙地否定或者导向了其他方向。这本书值得读的是Barenboim那一半。
0 有用 BuBu 2022-12-31 22:03:43 上海
从侧面又了解到不少关于德国现当代史的种种，多元身份是艺术之家。书评已发公众号，待搬运。
1 有用 Susana 2022-01-02 00:26:01
我有时候觉得Said是故作高深，对音乐过度解剖，陷入了机械论。同时，他有不懂装懂的地方，但都被他用繁复的修辞掩盖了。在与职业音乐家对话时，他的故作高深、寻辞考据和死拽话题就显得无知而做作。很多时候他的钻牛角尖都被Barenboim巧妙地否定或者导向了其他方向。这本书值得读的是Barenboim那一半。
0 有用 豌豆公主 2020-10-30 20:15:12
巴伦聪明，萨义德啰嗦。有些内容还不错但总体阅读感不太好，我不太喜欢把所有东西都往大话题上扯。
0 有用 Nuit Blanche 2019-12-05 22:06:34
Daniel Barenboim: “I think that every great work of art has two faces: one toward its own time and one toward eternity”.
0 有用 品川猴 2019-02-19 12:30:04
对话中思维流动性很大，不是全都理解了的。整本书看下来感觉Said太急于将话题扩展到自我认同、全球化、人权等方面，引导性和目的性太强，Barenboim虽然思维有些跳跃，但在音乐上的见解很深，如贝四中的psychology of tonality和纵观下Wagner在音乐上的成就和地位。这两人的搭配使得这本书有一定的广度和深度，值得一读。