作者:
David Der-Wei Wang 出版社: University of California Press 副标题: History, Violence, and Fictional Writing in Twentieth-Century China 出版年: 2004-10-4 页数: 409 定价: USD 34.95 装帧: Paperback ISBN: 9780520238732
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the ...
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese - often in the name of enlightenment, rationality, and utopian plenitude - this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment.
David Der-wei Wang is Dean Lung Professor of Chinese Studies at Columbia University. He is the author of Fin-de-Siècle Splendor: Repressed Modernity of Late Qing Fiction, 1849–1911 (1997) and Fictional Realism in Twentieth-Century China: Mao Dun, Lao She, Shen Congwen (1992). He is the coeditor of Chinese Literature in the Second Half of a Modern Century: A Critical Survey (200...
David Der-wei Wang is Dean Lung Professor of Chinese Studies at Columbia University. He is the author of Fin-de-Siècle Splendor: Repressed Modernity of Late Qing Fiction, 1849–1911 (1997) and Fictional Realism in Twentieth-Century China: Mao Dun, Lao She, Shen Congwen (1992). He is the coeditor of Chinese Literature in the Second Half of a Modern Century: A Critical Survey (2000).
目录
· · · · · ·
Acknowledgments
Introduction
1. Invitation to a Beheading
2. Crime or Punishment?
3. An Undesired Revolution
4. Three Hungry Women
· · · · · ·
(更多)
Acknowledgments
Introduction
1. Invitation to a Beheading
2. Crime or Punishment?
3. An Undesired Revolution
4. Three Hungry Women
5. Of Scars and National Memory
6. The Monster that is History
7. The End of the Line
8. Second Haunting
Notes
Bibliography
Glossary
Index
· · · · · · (收起)
确实是经典的文学研究，很佩服王专注文本的形式（而非情节）展开的细读， "representation of violence" 和 "violence of representation”的辩证关系贯穿始终。只是有些章节完全基于个别概念而在跨度几百年的文本之间建立联系，实在有些勉强，概念本身的历史性也值得考量。
![[美国] 王德威](https://img3.doubanio.com/view/personage/m/public/b7473c22f8364b68b553f5aef51d9eff.jpg)
王德威 作者
愚公
城邦（麥田）2004版
梦之旅
城邦（麥田）2004版
3 有用 傻白甜姚姚 2015-07-17 07:46:33
很喜欢，黑转粉。八章分别讲了20世纪中国文学里的八个主题，砍头，审判，革命爱情，饥饿，伤痕，怪兽，自杀和鬼怪。而且英文写作能力真是超强，学了好多expression
0 有用 שרון 2022-02-28 14:11:18
写得真好😭 像王老师这样的天才又有几个呢
3 有用 Historia 葉 2013-03-07 14:54:32
重读，非常喜欢。关于现代中国革命与文学敏锐独到的见解。英文版和中文版差别好像蛮大的。英文版更好。
0 有用 YING 2014-11-03 00:55:28
身世。家國。文學。
0 有用 啥贝马斯 2017-11-24 16:38:02
Fiction may be able to speak where history has fallen silent. 看得心惊胆战，跟我writing sample关注的问题也太像了吧【不高兴
0 有用 Penumbra 2023-12-31 00:39:59 美国
Chpt. 3 喜欢里面没有完全浮现的焦虑的janus face
0 有用 esor 2023-03-28 21:11:56 英国
结论是我真的欣赏不来文学研究，没有什么启发。
0 有用 שרון 2022-02-28 14:11:18
写得真好😭 像王老师这样的天才又有几个呢
0 有用 le frisson™ 2021-05-26 03:45:25
有用，但representation跟violence的“辩证法”并不很令人信服。
0 有用 orlanmimi 2020-12-25 04:05:00
确实是经典的文学研究，很佩服王专注文本的形式（而非情节）展开的细读， "representation of violence" 和 "violence of representation”的辩证关系贯穿始终。只是有些章节完全基于个别概念而在跨度几百年的文本之间建立联系，实在有些勉强，概念本身的历史性也值得考量。