作者:
Robert Venturi
/
Steven Izenour
/
Denise Scott Brown 出版社: The MIT Press 副标题: The Forgotten Symbolism of Architectural Form 出版年: 1977-06-15 页数: 208 定价: USD 23.95 装帧: Paperback ISBN: 9780262720069
Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments.This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture...
Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments.This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.
Learning from Las Vegas - Revised Edition的创作者
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Book review on Learning from Las Vegas: The Forgotten Symbolism of Architectural Form By Robert Venturi, Denise Scott Brown, and Steven Izenour ISBN 0-262-72006 The MIT Press The modern movement in architecture overthrew the Beaux-Arts Style...
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请欣赏滑稽戏的片段，摘自同一自然段。 "因为正统的现代建筑如果不具有革命性、乌托邦式以及简约等特点的话，可以说是进步的；” "...because orthodox Modern architecture is progressive, if not revolutionary, utopia, and puristic; ” 译者是典型的每个字都懂，同时一个...
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I Part: Las Vegas City map and development: Along highways, main streets and the strip Billboards/ Sign of buildings: High location, toward highway, big, different scale. Fine arts + crude arts + commercial vernacular. Mixed-media: words...
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罗伯特·文丘里 作者
liovang
Cathon
水利水电出版社2006版
I'sh kafei
江苏凤凰科学技术出版社2017版
尘外孤标
水利水电出版社2006版
Sisi lotus
0 有用 六月天气晴 2022-05-11 18:09:46
难得的擦亮眼看看“今天的城市”研究，虽然已经是1970年代的城市了
0 有用 ravi 2021-11-30 13:11:03
我也不知道是从哪一步开始错的，但直觉这个结论很有问题。。。
0 有用 FoundObject 2019-12-10 22:38:36
不知道几刷了。发现了Guild House顶上的Antenna 有意思。Cybernetics 果然是一种气氛。
0 有用 Nigel 2011-05-02 18:09:13
从拉斯维加斯的商业带建筑，到LA的新式住宅(Crawford Manor)再到文丘里自己的老年人住宅，从哥特巴洛克到古典主义，文丘里翻来覆去的记录方式其实就是通过一层层不停的观察，叙述，强调"其实你们做的事儿,和我做的事儿是一样的，现代主义只是披了一层皮的古典主义”。但就像他自己说的，本书更是强调建筑的外在表达，在建筑系新交流的层面上，直指的是建筑表现的“时代精神”。有趣的是，这本书里，为了表达自... 从拉斯维加斯的商业带建筑，到LA的新式住宅(Crawford Manor)再到文丘里自己的老年人住宅，从哥特巴洛克到古典主义，文丘里翻来覆去的记录方式其实就是通过一层层不停的观察，叙述，强调"其实你们做的事儿,和我做的事儿是一样的，现代主义只是披了一层皮的古典主义”。但就像他自己说的，本书更是强调建筑的外在表达，在建筑系新交流的层面上，直指的是建筑表现的“时代精神”。有趣的是，这本书里，为了表达自己的观点，文丘里一众立场鲜明地选择在所有角度站在现代主义的对立面。如果说之前对文丘里的主张本身就已经耳闻目染的话，读的时候依旧十分惊讶于他毫不犹豫地把汽车的观察视角作为思考的出发点。这点上似乎任何欧洲建筑师或理论家都不会选择这么做，或许这也算是欧美的一大区别吧。 (展开)
1 有用 离净语 2010-02-27 16:03:49
一个文科生指责一群理科生没素养