The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked b...
The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism.Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat--a condition Zizek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics--including an ethical act in a novel by Henry James and anti-anti-Semitism.The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
关于今日的虚拟资本主义，从佛教的视角能够得出的唯一的“批判性”教益是，我们应该清楚，我们正在应对纯粹的影子剧院，应对非实体性的虚拟实存（ insubstantial virtual entities）因此我们不应全身心地介入资本主义的游戏，在介入这个游戏时，我们应该在内心与之保持距离。虚拟资本主义可以充当走向解放的第一步。虚拟资本主义使我们面对下列事实：我们受苦受难和被人奴役的原因与客观现实无关（根本不存在现实这种东西），与我们的欲望有关，与我们对物质事物的渴望有关，我们对物质事物的过度依附有关；一旦我们摆脱了虚假的实体主义现实（ substantialist reality）的观念，我们要做的全部事情就是放弃欲望，保持内心的宁静与距离…难怪这样的佛教成了对今日虚拟资本主义的完美的意识形态补充：它允许我们在参与虚拟资本主义时，保持内心的距离——祈求好运。
正是因为反对这样的介入，巴特尔比才不断重复其“我宁愿不” 而不是“不去做”（ not to do it）。它的拒绝不是对确定的内容的拒绝，而是形式性的姿势，是拒绝本身。 (查看原文)
我是发现了，如果在他书里读到一句观点觉得很符合大众常识，基本上下一句立马就要反转了：“isn't it....？” “is it really the case that...?” “what if.....?” and so on and so on... 挺喜欢这书的封面设计，把画里的列宁放在封底。（自称是自己最系统化的著作，但其中的论证还是挺随意的，不过这种论证风格和方法也可以看作是他的黑格...我是发现了，如果在他书里读到一句观点觉得很符合大众常识，基本上下一句立马就要反转了：“isn't it....？” “is it really the case that...?” “what if.....?” and so on and so on... 挺喜欢这书的封面设计，把画里的列宁放在封底。（自称是自己最系统化的著作，但其中的论证还是挺随意的，不过这种论证风格和方法也可以看作是他的黑格尔辩证法的体现。）(展开)
我是发现了，如果在他书里读到一句观点觉得很符合大众常识，基本上下一句立马就要反转了：“isn't it....？” “is it really the case that...?” “what if.....?” and so on and so on... 挺喜欢这书的封面设计，把画里的列宁放在封底。（自称是自己最系统化的著作，但其中的论证还是挺随意的，不过这种论证风格和方法也可以看作是他的黑格...我是发现了，如果在他书里读到一句观点觉得很符合大众常识，基本上下一句立马就要反转了：“isn't it....？” “is it really the case that...?” “what if.....?” and so on and so on... 挺喜欢这书的封面设计，把画里的列宁放在封底。（自称是自己最系统化的著作，但其中的论证还是挺随意的，不过这种论证风格和方法也可以看作是他的黑格尔辩证法的体现。）(展开)
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斯拉沃热·齐泽克 作者
Walt
浙江大学出版社2014版
勒比海绵
浙江大学出版社2014版
echo韩
浙江大学出版社2014版
云卷天舒
浙江大学出版社2014版
老玉米法师
浙江大学出版社2014版
5 有用 Walt 2016-04-23 17:54:05
http://www.lrb.co.uk/v28/n17/fredric-jameson/first-impressions
3 有用 丁萌 2023-02-03 15:43:42 日本
齐泽克的书就像爆米花电影，齐泽克的巨著就像连着十个小时的爆米花电影。读到后来就只剩下“啊对对对”的感觉了。
0 有用 das Seyn 2022-09-30 20:09:22 山东
What's not to like about it?
0 有用 氵 2020-12-10 23:10:53
我是发现了，如果在他书里读到一句观点觉得很符合大众常识，基本上下一句立马就要反转了：“isn't it....？” “is it really the case that...?” “what if.....?” and so on and so on... 挺喜欢这书的封面设计，把画里的列宁放在封底。（自称是自己最系统化的著作，但其中的论证还是挺随意的，不过这种论证风格和方法也可以看作是他的黑格... 我是发现了，如果在他书里读到一句观点觉得很符合大众常识，基本上下一句立马就要反转了：“isn't it....？” “is it really the case that...?” “what if.....?” and so on and so on... 挺喜欢这书的封面设计，把画里的列宁放在封底。（自称是自己最系统化的著作，但其中的论证还是挺随意的，不过这种论证风格和方法也可以看作是他的黑格尔辩证法的体现。） (展开)
0 有用 nek 2019-12-08 10:33:37
还是没有看出来克服explosion of negativity的可能性在哪里
0 有用 Ιάννης Ξενάκης 2024-05-08 15:11:56 广东
视差这个概念还是很有意思的，他巅峰
0 有用 Shage_Jack 2023-04-18 20:14:43 浙江
看了第一部分，后面也很重要但是大概看需要什么再看一下吧……
3 有用 丁萌 2023-02-03 15:43:42 日本
齐泽克的书就像爆米花电影，齐泽克的巨著就像连着十个小时的爆米花电影。读到后来就只剩下“啊对对对”的感觉了。
0 有用 das Seyn 2022-09-30 20:09:22 山东
What's not to like about it?
0 有用 氵 2020-12-10 23:10:53
我是发现了，如果在他书里读到一句观点觉得很符合大众常识，基本上下一句立马就要反转了：“isn't it....？” “is it really the case that...?” “what if.....?” and so on and so on... 挺喜欢这书的封面设计，把画里的列宁放在封底。（自称是自己最系统化的著作，但其中的论证还是挺随意的，不过这种论证风格和方法也可以看作是他的黑格... 我是发现了，如果在他书里读到一句观点觉得很符合大众常识，基本上下一句立马就要反转了：“isn't it....？” “is it really the case that...?” “what if.....?” and so on and so on... 挺喜欢这书的封面设计，把画里的列宁放在封底。（自称是自己最系统化的著作，但其中的论证还是挺随意的，不过这种论证风格和方法也可以看作是他的黑格尔辩证法的体现。） (展开)