More then those of any other living photographer, Sebastiao Salgado's images of the world's poor stand in tribute to the human condition. Salgado defines his work as "militant photography" dedicated to "the best comprehension of man"; over the decades he has bestowed great dignity on the most isolated and neglected among us-- from famine-stricken refugees in the Sahel to the indigenous peoples of South America. With "Workers," Salgado brings us a global epic that transcends mere image making to become an affirmation of the enduring spirit of working men and women. In this volume, three hundred fifty duotone photographs form an archaeological perspective of the activities that have defined hard work from the Stone Age through the Industrial Revolution to the present. With images of the infernal landscape of an Indonesian sulfur mine, the drama of traditional Sicilian tuna fishing, and the staggering endurance of Brazilian gold miners, Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization. "Workers" presents its subjects on several interactive levels: Salgado's introductory text expands his passionate photographic iconography, and extended captions, also written by Salgado, provide a historical and factual framework. Evoking the monumentality of Baroque sculpture, images of oil-fire fighters extinguishing Kuwaiti wells are informed by data detailing this perilous venture. Heroic photographs of Cuban and Brazilian peasants harvesting sugarcane are enriched by an overview of the history of the sugar trade, which documents centuries of colonialist exploitation. On the eve of the millennium, "Workers" serves as anelegy for the passing of traditional methods of labor and production. Yet its ultimate message is one of endurance and hope: entire Indian families serve as construction crews to build a dam that will bring life to their land, and laborers using contemporary technology connect England and France through Eurotunnel. Honoring the timeless and indomitable spirit of the manual laborer, "Workers" renders the human condition with honesty and respect.
5 有用 源 2021-05-10 22:13:14
崇敬地讀完萨尔加多拍摄全球手工业劳动者的巨著《Workers》,该项目全称“劳动者,工业时代的考古学”,分为农业、粮食、采矿、工业、石油和建筑六大类。他用经济学家的兴趣和眼光去看照片是否能像统计资料一样,或更多地揭示现实,并将其美学标准锤炼得简洁且自信: 发达国家约¼人口能够消费全球其他国家生产的商品。而剩下的¾理论上能从商品过剩中获益,却无法成为消费者。如此多的资源和财富转移到繁荣的世界,这是... 崇敬地讀完萨尔加多拍摄全球手工业劳动者的巨著《Workers》,该项目全称“劳动者,工业时代的考古学”,分为农业、粮食、采矿、工业、石油和建筑六大类。他用经济学家的兴趣和眼光去看照片是否能像统计资料一样,或更多地揭示现实,并将其美学标准锤炼得简洁且自信: 发达国家约¼人口能够消费全球其他国家生产的商品。而剩下的¾理论上能从商品过剩中获益,却无法成为消费者。如此多的资源和财富转移到繁荣的世界,这是没有办法实现的平等。“如果一个人看过这些照片之后只感受到怜悯的话,我会认为自己彻底失败了。” 历史首先是不断的挑战、重覆和反复。它是无尽循环的压迫、羞辱和灾难,但也是人类生存能力的证明。例如在巴西帕拉达高原露天金矿拍摄时,萨尔加多说:“被摄者虽然衣衫褴褛,甚至赤身裸体,但是他们仍然具有人的尊严。” (展开)
1 有用 花落成蚀 2014-03-30 23:29:24
萨尔加多最近基本影集都分别对一个母题进行了赋格般的描述,很赞,但有种异样的负面的疲劳感
0 有用 Water 2026-03-14 23:10:38 上海
各行各业的劳动人民在萨尔加多的镜头下都变成了英雄。他们面对着漆黑的油井、熊熊的烈火,创造出各种庞然大物。 印象最深的是关于造船工人的那部分,从船的正下方拍摄,很有压迫感。还有矿工的那部分,一只手伸出来去拉工友上来。在繁重的体力劳动下工友们都给彼此一些力量,那只手可以是任何一个矿工的手,任何一个矿工都会这么做。
0 有用 Villeneuve_ 2026-11-07 23:05:20 北京
史诗。务必再看
2 有用 鱼尾纹先生 2016-01-06 00:37:03
与父同名的摄影师,生于巴西,供职于英国,后云游四方开展自己的摄影事业,晚年回归故土开展环保绿化,可参看最新的纪录片。对手工业者的追述式刻画,以弥补资本主义发达国家的盲区。黑白呈现,图文完全分离,充分满足了阅读的酣畅感,另有详略两版照片说明。尤其细心的是跨页大幅照片有意调整角度以使中心人物避开中缝线。无论如何都是装帧上的典范。手中是英国1993重印版,豆瓣是美版,挑选了不同的封面图片,英文版日本也有... 与父同名的摄影师,生于巴西,供职于英国,后云游四方开展自己的摄影事业,晚年回归故土开展环保绿化,可参看最新的纪录片。对手工业者的追述式刻画,以弥补资本主义发达国家的盲区。黑白呈现,图文完全分离,充分满足了阅读的酣畅感,另有详略两版照片说明。尤其细心的是跨页大幅照片有意调整角度以使中心人物避开中缝线。无论如何都是装帧上的典范。手中是英国1993重印版,豆瓣是美版,挑选了不同的封面图片,英文版日本也有一版。 (展开)