It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears. . . . With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered t...
It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears. . . . With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist—or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out.
But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces—some familiar, others only just appearing—are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead.
It is a time when the wise and the ambitious, the deceitful and the strong will acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes . . . and their lives. For at a feast for crows, many are the guests—but only a few are the survivors.
Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin’s monumental epic cycle of high fantasy that began with A Game of Thrones. Now, in A Feast for Crows, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace . . . only to be launched on an even more terrifying course of destruction.
George R.R. Martin sold his first story in 1971 and has been writing professionally ever since. He has written fantasy, horror, and science fiction, and for his sins spent ten years in Hollywood as a writer/producer, working on Twilight Zone, Beauty and the Beast, and various feature films and television pilots that were never made. In the mid 90s he returned to prose, his firs...
George R.R. Martin sold his first story in 1971 and has been writing professionally ever since. He has written fantasy, horror, and science fiction, and for his sins spent ten years in Hollywood as a writer/producer, working on Twilight Zone, Beauty and the Beast, and various feature films and television pilots that were never made. In the mid 90s he returned to prose, his first love, and began work on his epic fantasy series A Song of Ice and Fire. He has been in the Seven Kingdoms ever since. Whenever he's allowed to leave, he returns to Santa Fe, New Mexico, where he lives with the lovely Parris, a big white dog called Mischa, and two cats named Augustus and Caligula who think they run the place.
Biography
As a child growing up in New Jersey, George R.R. Martin displayed an early interest in "the writing life" by selling monster stories of his own invention to the children in his Bayonne neighborhood. In high school he became an avid comic book collector and began to write for comic fanzines. He sold his first story to Galaxy in 1970 when he was 21 years old.
Martin received his bachelor's and master's degrees in journalism from Northwestern University. After graduation he served two years in VISTA, then worked as a teacher and chess tournament director in the Midwest, while continuing to craft award-winning short fiction. His first full-length novel, Dying of the Light, was published in 1977. A dark, lyrical sci-fi tone poem set on a doomed world without a sun, the book was nominated for a Hugo Award.
Throughout the 1980s, Martin worked in television, writing for science fiction- and fantasy-themed shows like The Twilight Zone and Beauty and the Beast. At this time he became involved with Wild Cards, a long-running anthology series composed of "mosaic stories" written by multiple authors and set in a shared universe. In addition to editing the series, Martin has contributed stories to the Wild Card books.
In 1996, Martin published A Game of Thrones, the first installment of his magnum opus, the epic fantasy series A Song of Fire and Ice. Set in the Seven Kingdoms, a realm resembling medieval Europe, the internationally bestselling series has provided the ultimate showcase for Martin's formidable world-building and characterization skills.
During the course of his long, prolific career, Martin has accrued every major literary prize for science fiction or fantasy writing, including the Hugo, Nebula, World Fantasy, Bram Stoker, Daedelus, and Locus awards. But what endears him especially to his readers is his extraordinary accessibility. A tireless participant in genre conventions and festivals, he maintains a cordial relationship with his fans through his website and blog. He is also a member of the Science Fiction & Fantasy Writers of America.
"Do you see that window, ser?" Jaime used a sword to point.
"That was Raymun Darry's bedchamber. Where King Robert slept, on our return from Winterfell. Ned Stark's daughter had run off after her wolf savaged Joff, you'll recall. My sister wanted the girl to lose a hand. The old penalty, for striking one of the blood royal. Robert told her she was cruel and mad. They fought for half the night . . . well, Cersei fought, and Robert drank. Past midnight, the queen summoned me inside. The king was passed out snoring on the Myrish carpet. I asked my sister if she wanted me to carry him to bed. She told me I should carry her to bed, and shrugged out of her robe. I took her on Raymun Darry's bed after stepping over Robert. If His Grace had woken I would have killed him there and then. He would ... (查看原文)
![[美国] 乔治·马丁](https://img3.doubanio.com/view/celebrity/m/public/p24513.jpg)
乔治·马丁 作者
spencer
重庆出版社2008版
萧星寒
重庆出版社2008版
灰色微笑
重庆出版社2008版
素梳影
重庆出版社2008版
雍容
重庆出版社2008版
0 有用 明川不臾 2013-06-08 11:32:53
finished, finally......
0 有用 djFFFFF 2013-04-01 01:34:55
经历了第三本的风云突变,这本略平淡
2 有用 石之海动画了吗 2013-12-02 09:44:26
马大胖你还我布蕾妮啦！
3 有用 翻译赵灿 2015-12-31 16:09:31
Nothing much happened, except that Arya went blind, Brienne had her face chewed off, and Cersei got herself buried in a huge pile of shit.
0 有用 Vamei 2014-09-23 11:16:57
满目疮痍的世界里，每个人为自己的宿命悲伤。恐惧笼罩之下，这个世界不再有安全的角落，无处躲藏。英雄已死，大地残破。只留下在尸体上饱餐的乌鸦，只留下愚蠢的贵族，只留下无能为力的普通人。
0 有用 闲云 2024-05-12 08:58:52 北京
这一部的视角分散开来，因为主人公们已经四散。隐匿的sansa，自大的cercie，执着的brienie，她们被各自的噩梦胁迫，试图逃离既定的命运。
0 有用 Creasy 2024-04-21 09:38:01 美国
Surprisingly, I feel this is the best so far compared with its three predecessors...
0 有用 Verlocksss 2024-03-24 14:29:51 浙江
这一卷的灵魂人物绝对是Jaime，如果不是Jaime的POV，看这卷书的动力起码下降50%。另外40%分给Brienne和Sansa，10%分给没啥进展的Arya和欣赏Westeros第一蠢货Cersei。至于铁群岛和多恩嘛。。。总的来说，由于第三卷把爆点都给引爆了，这一卷的故事基本就是在收拾残局，然后为后面故事做些铺垫。马丁的野心确实非常庞大，为了严谨地推动故事发展，也不得不写了很多故事性上很弱... 这一卷的灵魂人物绝对是Jaime，如果不是Jaime的POV，看这卷书的动力起码下降50%。另外40%分给Brienne和Sansa，10%分给没啥进展的Arya和欣赏Westeros第一蠢货Cersei。至于铁群岛和多恩嘛。。。总的来说，由于第三卷把爆点都给引爆了，这一卷的故事基本就是在收拾残局，然后为后面故事做些铺垫。马丁的野心确实非常庞大，为了严谨地推动故事发展，也不得不写了很多故事性上很弱，本身也不讨喜的角色。如果这么做的代价是连马丁自己都收不住尾了，我感觉还是有点亏了，但都写到这份上了也不能随随便便安排笔下角色的命运，真是两难之境。 (展开)
0 有用 Kisurmeme 2023-12-12 16:53:00 山东
好看极了hhhh
0 有用 flashwade 2023-07-29 06:53:17 河南
大部分都是小人物和配角的故事，但是依然很精彩，可惜没什么高潮，比上一本差了点。就是铺垫太多了，真不知道什么时候才能把坑填上。