”I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990-2005. ”This is one life, and the personal pictures and the assignment work are all part of it.” Portraits of well-known figures-Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nichols...
”I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990-2005. ”This is one life, and the personal pictures and the assignment work are all part of it.” Portraits of well-known figures-Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, William Burroughs, George W. Bush with members of his Cabinet-appear alongside pictures of Leibovitz’s family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes made even more indelible through Leibovitz’s discerning eye. The images form a narrative rich in contrasts and continuities: The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while she is working, and the public work resonates with the themes of her life.
...after Susan died, on December 28, 2004, I began searching for photographs of her to put in a little book that was intended to be given to the people who came to her memorial service. The project was important to me, because it made me feel close to her and helped me to begin to say good-bye. (查看原文)
Spent an hour reading Annie's introduction. Actually I've read part of it in a bookshop, which is partly the reason I bought this book. I was and am fascinated by her writing, so personal and emotional and moving. This is not a way to write artist statement but it fits well with this particular book, a collection of photos from both personal and assignment work. There seems no logic in the bits...
2012-11-15 00:46
Spent an hour reading Annie's introduction. Actually I've read part of it in a bookshop, which is partly the reason I bought this book. I was and am fascinated by her writing, so personal and emotional and moving. This is not a way to write artist statement but it fits well with this particular book, a collection of photos from both personal and assignment work. There seems no logic in the bits of pieces she put into this introduction. But that's the way memory works. It is never a continuous narrative in your mind, but always in fragments. A trip with Susan Sontag. How they bought an apartment in Paris. Susan's last days. I was all in tears at the last paragraphs. Finally, knowing the fact that Annie Leibovitz and Susan Sontag were lovers and reading again and again in the intro "Susan likes this" and "it's Susan's idea that" and Annie's sorrows after Susan died are two different thing. The latter reaches far deeper in my heart.
...after Susan died, on December 28, 2004, I began searching for photographs of her to put in a little book that was intended to be given to the people who came to her memorial service. The project was important to me, because it made me feel close to her and helped me to begin to say good-bye.引自第29页I edited this book with her in mind, as if she were standing behind me, saying what she would like to see in it.引自第29页I don't have two lives. This is one life, and the personal pictures and the assignment work are all part of it.引自第29页Taking intimate pictures of family members and people to whom you are close is a privilege, and it brings a certain responsibility.引自第29页I would go into the barn every morning and put it (a CD by Rosanne Cash) on very loud and cry for ten minutes or so and then start working, editing the pictures. I cried for a month. I didn't realize until later how far the work on the book had taken me through the grieving process. It's the closest thing to who I am that I've ever done.引自第29页
Spent an hour reading Annie's introduction. Actually I've read part of it in a bookshop, which is partly the reason I bought this book. I was and am fascinated by her writing, so personal and emotional and moving. This is not a way to write artist statement but it fits well with this particular book, a collection of photos from both personal and assignment work. There seems no logic in the bits...
2012-11-15 00:46
Spent an hour reading Annie's introduction. Actually I've read part of it in a bookshop, which is partly the reason I bought this book. I was and am fascinated by her writing, so personal and emotional and moving. This is not a way to write artist statement but it fits well with this particular book, a collection of photos from both personal and assignment work. There seems no logic in the bits of pieces she put into this introduction. But that's the way memory works. It is never a continuous narrative in your mind, but always in fragments. A trip with Susan Sontag. How they bought an apartment in Paris. Susan's last days. I was all in tears at the last paragraphs. Finally, knowing the fact that Annie Leibovitz and Susan Sontag were lovers and reading again and again in the intro "Susan likes this" and "it's Susan's idea that" and Annie's sorrows after Susan died are two different thing. The latter reaches far deeper in my heart.
...after Susan died, on December 28, 2004, I began searching for photographs of her to put in a little book that was intended to be given to the people who came to her memorial service. The project was important to me, because it made me feel close to her and helped me to begin to say good-bye.引自第29页I edited this book with her in mind, as if she were standing behind me, saying what she would like to see in it.引自第29页I don't have two lives. This is one life, and the personal pictures and the assignment work are all part of it.引自第29页Taking intimate pictures of family members and people to whom you are close is a privilege, and it brings a certain responsibility.引自第29页I would go into the barn every morning and put it (a CD by Rosanne Cash) on very loud and cry for ten minutes or so and then start working, editing the pictures. I cried for a month. I didn't realize until later how far the work on the book had taken me through the grieving process. It's the closest thing to who I am that I've ever done.引自第29页
Spent an hour reading Annie's introduction. Actually I've read part of it in a bookshop, which is partly the reason I bought this book. I was and am fascinated by her writing, so personal and emotional and moving. This is not a way to write artist statement but it fits well with this particular book, a collection of photos from both personal and assignment work. There seems no logic in the bits...
2012-11-15 00:46
Spent an hour reading Annie's introduction. Actually I've read part of it in a bookshop, which is partly the reason I bought this book. I was and am fascinated by her writing, so personal and emotional and moving. This is not a way to write artist statement but it fits well with this particular book, a collection of photos from both personal and assignment work. There seems no logic in the bits of pieces she put into this introduction. But that's the way memory works. It is never a continuous narrative in your mind, but always in fragments. A trip with Susan Sontag. How they bought an apartment in Paris. Susan's last days. I was all in tears at the last paragraphs. Finally, knowing the fact that Annie Leibovitz and Susan Sontag were lovers and reading again and again in the intro "Susan likes this" and "it's Susan's idea that" and Annie's sorrows after Susan died are two different thing. The latter reaches far deeper in my heart.
...after Susan died, on December 28, 2004, I began searching for photographs of her to put in a little book that was intended to be given to the people who came to her memorial service. The project was important to me, because it made me feel close to her and helped me to begin to say good-bye.引自第29页I edited this book with her in mind, as if she were standing behind me, saying what she would like to see in it.引自第29页I don't have two lives. This is one life, and the personal pictures and the assignment work are all part of it.引自第29页Taking intimate pictures of family members and people to whom you are close is a privilege, and it brings a certain responsibility.引自第29页I would go into the barn every morning and put it (a CD by Rosanne Cash) on very loud and cry for ten minutes or so and then start working, editing the pictures. I cried for a month. I didn't realize until later how far the work on the book had taken me through the grieving process. It's the closest thing to who I am that I've ever done.引自第29页
SweetPoison
0 有用 晚奀 2010-01-07
when can someone just choose what they like to do without thinking about if it's realistic?
0 有用 门房大爷 2008-06-28
安妮自传体集锦，包含她的日常快照和她工作拍摄的大制作商业照片，两种照片交替出现，排版很满，前者满足读者八卦偷窥欲——其实也看不到什么，后者算是又一次展现她的工作成果。精心矫饰的谎言性陈列。
0 有用 啫哩啊 2012-05-26
她棚攝太牛逼，但是棚攝之外的東西更令人有觸動感覺（我發現我不喜歡棚攝= =！）
0 有用 Hawa 2014-08-22
"I don’t have two lives.This is one life, and the personal pictures and the assignment work are all part of it."
0 有用 gallria 2015-04-15
master of Photography
0 有用 X 2019-09-26
超棒！
0 有用 ban.ana™ 2019-07-13
起初疑惑这本书的排序，为什么家庭.爱人.工作乱序穿插在一起。 翻完整本书发现作者是有意图的。
0 有用 羽扬 2019-04-26
Susan Sontag說「所有照片都“使人想到死”」這本影集也正是凍結了若干她生命的瞬間，見證時間的無情流逝和其死亡。除去Sontag的照片，最喜歡的有兩幅：其一是Annie鏡頭前的Leonardo Dicaprio，懷抱天鵝，曲項繞頸，背後麥浪起伏，似有寒風獵獵，滿眼少年人的愁緒。 其二是Patti Smith，著一件麻布衣服，黑皮衣只搭了一邊肩膀，發如枯草，睥睨天下，像個將赴戰場的勇士，一個... Susan Sontag說「所有照片都“使人想到死”」這本影集也正是凍結了若干她生命的瞬間，見證時間的無情流逝和其死亡。除去Sontag的照片，最喜歡的有兩幅：其一是Annie鏡頭前的Leonardo Dicaprio，懷抱天鵝，曲項繞頸，背後麥浪起伏，似有寒風獵獵，滿眼少年人的愁緒。 其二是Patti Smith，著一件麻布衣服，黑皮衣只搭了一邊肩膀，發如枯草，睥睨天下，像個將赴戰場的勇士，一個人可敵萬馬千軍。 (展开)
0 有用 木容日生 2018-06-10
时代造就摄影师
0 有用 Max 2018-05-04
名气都是一点点积累起来的~