Learning to Curse

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• 并没有超越历史之外的无偏颇的愉悦。我们必须将愉悦历史化，探索它的演变，明白其利益攸关。 I take heart from the remarkable recent studies that have been began to give a history to sensations, states of being, and emotions that had seemed timeless: Delumeau on fear, Corbin on smell, Blumenberg on curiosity, and so forth. I try to make a virtue of necessity and rethink the slusiveness that troubles me. That elusiveness is, I would argue, at once the sing and the consequence of the fact that neither the work of art nor the person experiencing the work of art nor the historical situation in which the work is produced or received fully posesses the pleasure that is art's principal reason for being and its ticket to survival.几乎所有形式的审美愉悦——对于戏剧愉悦尤其如此——都处在社会变迁的中介地带，其中与其间。正式这种流动性，一种包括了变异力量——而非无利害关系或稳定性——的流动性，使得这种由特定艺术作品引起的愉悦能够看起来历经数个世纪而不变。 (查看原文)

  石月亮 2019-09-19 10:07:02