a likeness between Rembrandt's drawings and Donatello's marble relief is fundamental and depends on the same approach to humanity and to the problem of form. In such a figure as the kneeling Virgin, Donatello has concentrated his knowledge of the movements which reveal emotion into a shape reduced to its essence, like some weather-worn stone (查看原文)
the same feeling of a compassion so intense that it has the power of healing, inspired ...the Prodigal Son. In both we feel that any emphatic gesture, any curve or twist or lively diagonal, might disturb the stillness in which miracles are performed. And within this austere framework, Rembrandt's group of father and son has itself the completeness of some ancient symbol. (查看原文)
还没人写过短评呢
还没人写过短评呢