作者:
Svetlana Alpers 出版社: University Of Chicago Press 副标题: Dutch Art in the Seventeenth Century 出版年: 1984-04-15 页数: 302 定价: USD 32.50 装帧: Paperback ISBN: 9780226015132
"The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of ar...
"The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture, ' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of signification. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen, ' in which new knowledge is visually recorded."--George Steiner, "Sunday Times"
"There is no doubt that thanks to Alpers's highly original book the study of the Dutch masters of the seventeenth century will be thoroughly reformed and rejuvenated. . . . She herself has the verve, the knowledge, and the sensitivity to make us see familiar sights in a new light."--E. H. Gombrich, "New York Review of Books"
作者简介
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斯韦特兰娜•阿尔珀斯（Svetlana Alpers，1936— ），美国著名艺术史家，加利福尼亚大学伯克利分校荣休教授，主要研究荷兰黄金年代的艺术作品。著有《描绘的艺术——17世纪的荷兰艺术》《伦勃朗的企业——工作室与艺术市场》《制造鲁本斯》等，其中《描绘的艺术》获得1983年尤金•凯登最佳图书奖[Eugene M. Kayden Award]。
List of Illustrations
Preface
Introduction
1. Constantijn Huygens and The New World
2. "Ut pictura, ita visio": Kepler’s Model of the Eye and the Nature of Picturing in the North
3. "With a Sincere Hand and a Faithful Eye": The Craft of Representation
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(更多)
List of Illustrations
Preface
Introduction
1. Constantijn Huygens and The New World
2. "Ut pictura, ita visio": Kepler’s Model of the Eye and the Nature of Picturing in the North
3. "With a Sincere Hand and a Faithful Eye": The Craft of Representation
4. The Mapping Impulse in Dutch Art
5. Looking at Words: The Representation of Texts in Dutch Art
Epilogue: Vermeer and Rembrandt
Appendix: On the Emblematic Interpretation of Dutch Art
Notes
Index
· · · · · · (收起)
Let us propose that the empirically based pursuit of natural knowledge, for which Huygens opts, contrasts with the classical, mathematically based studies, even as the craft concerns of Dutch artists do with the aims and ideals of high art. (查看原文)
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0 有用 闻朵 2018-03-17 04:41:05
Groundbreaking
0 有用 [已注销] 2014-01-09 16:05:52
还要再读
0 有用 Yun 2014-07-19 03:04:37
写得没有关于伦勃朗的那本轻松，有的学徒工用尽九牛二虎之力的气喘吁吁。跟Panofsy相比，显得有些稚嫩。她好喜欢Vermeer，从几段描写中可以见出。
1 有用 小红帽 2010-09-07 07:13:08
Brave and provocative. Learn how to make a strong argument without stretching oneself. Plus the illustrations are so beautiful.
2 有用 malingcat 2014-12-18 21:18:21
是有关17世纪荷兰艺术的重要著作。从几个角度围攻荷兰绘画的“describing”性质，以与意大利文艺复兴相区别，有些道理，但是，似乎也不能一概而论。看过作者的另一本Rembrandt's Enterprise，她还写过委拉斯凯兹、鲁本斯。有空找来看。