《人人都在晒,凭什么你出彩?》的原文摘录

  • The new way of operating 1. You don't have to be a genius 2. Think process. Not product 3. Share something small every day 4. Open up your cabinet of curiosities 5. Tell good stories 6. Teach what you know 7. Don't turn into human spam 8. Learn to take a punch 9. Sell out 10. Stick around (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第1页
  • Creativity is not a talent. It is a way of operating. -- John Cleese (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第1页
  • Try it: Start reading the obituaries every morning. Take inspiration from the people who muddled through life before you -- they all started out as amateurs, and they got where they were going by making do with what they were given, and having the guts to put themselves out there. Follow their example. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第29页
  • A lot of us go about our work and feel like we have nothing to show for it at the end of the day. But whatever the nature of your work, there is an art to what you do, and there are people who would be interested in that art, if only you presented it to them in the right way. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第40页
  • Take a lot of photographs of your work at different stages in your process. Shoot video of you working. This isn't about making art, it's about simply keeping track of what's going on around you. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第43页
  • If you are in the middle of executing a project, write about your methods or share works in progress. If you've just completed a project, show the final product, share scraps from the cutting-room floor, or write about what you learned. If you have lots of projects out into the world, you can report on how they're doing -- you can tell stories about how people are interacting with your work. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第48页
  • To fake a photograph, all you have to do is to change the caption. To fake a paining, change the attribution. --Errol Morris (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第92页
  • Dan Harmon's story circle. 1. A character is in a zone of comfort 2. But they want something 3. They enter an unfamiliar situation 4. adapt to it 5. get what they wanted 6. pay a heavy price for it 7. return to their familiar situation 8. having changed 1. 又回到1 (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第97页
  • Everybody loves a good story, but good storytelling doesn't come easy to everybody. It's a skill that takes a lifetime to master. So study the great stories and then go find some of your own. Your stories will get better the more you tell them. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第103页
  • Whatever excites you, go do it. Whatever drains you, stop doing it. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第133页
  • Don't be afraid to charge for your work, but put a price on it that you think is fair. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第168页
  • Be ambitious. Keep yourself busy. Think bigger. Expand your audience. Don't hobble yourself in the name of "keeping it real", or "not selling out". Try new things. If an opportunity comes along that will allow you to do more of the kind of work you want to do, say Yes. If an opportunity comes along that would mean more money, but less of the kind of work you want todo, say No. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第174页
  • The minute you stop wanting something you get it. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
    —— 引自第190页
  • If you never go to work, you never get to leave work. (查看原文)
    heycinderella 5赞 2019-12-22 08:27:16
  • “囤积物品的问题在于,你最后变成只靠老本过活。总有一天,你会觉得乏味。如果你抛开现有的一切,就什么也没有了,这会逼得你去寻找、保持警觉,补充自己的需求……你抛弃的越多,回来的也总会越多。”——美国作家 保罗•亚顿 1. 别做囤积狂 收集和创作的差异没有想象的那么大 。 许多作家将阅读与写作视为同一事物的两个层面:阅读能喂养写作,写作也能滋养阅读。 在我们做好准备,勇敢迈步向前跟全世界分享作品之前,我们可以通过其他人的作品分享品味。 影响你的东西都值得分享,因为他们能让人们推断出你是谁,以及你所做的事情——有时候甚至不只是你自己的作品。 影响你的东西有:你的灵感从哪里来?脑袋里装着什么东西?读什么书?订阅了什么?浏览什么网站?听什么音乐?看什么电影?是否会欣赏艺术?会收集什么?剪贴簿里有什么?书桌前的软木板钉了什么?冰箱上贴了什么?喜欢谁的作品?会偷谁的点子?偶像是谁?在网络上追踪什么?在自己的领域中最崇拜的人是谁? 2. 快乐不是罪 要挖掘璞玉,需要的是一双清澈的眼睛,一颗开放的心,以及愿意在其他人不愿意或不能到达的地方搜寻灵感。 每个人的独特之处,就在于多元及影响的扩散力,我们能用独特的方式混合出属于自己的文化。享受你喜欢的东西。 “如何做到出类拔萃,第一步就是停止尝试” “做你最擅长的事,与其他人联结。”——美国记者 杰夫•贾维斯 3. 一定要标明出处 如果分享了其他人的作品,有责任让作品的创作者得到应有的功劳。分享时,一定要像发表自己的创作一样,怀着尊重以及关怀之心。 提供分享作品的内容细节:作品是什么,是谁创作的,怎么创作的,何时何地创作的,为什么你要分享,为什么别人应该关心,哪里还能看到类似的作品。就是是在分享作品旁边设置一个博物馆说明牌。 标明在哪里找到这些东西的,大声称颂帮助我们遇见好作品的人。网络上重要的归功形式就是直达作品原创者网站的超链接。不要分享你无法... (查看原文)
    lynn 3赞 2015-12-22 08:22:07
    —— 引自第87页
  • 听起来有些极端,但时至今日,如果你的作品没有放上网络,就是不存在。每个人都有使用声音、畅所欲言的机会,但许多人任由它溜走。如果你希望人们了解你的工作,了解你所在乎的事物,你就得分享。 (查看原文)
    loversophia 1赞 2015-05-05 13:19:54
    —— 引自第23页
  • 一夜成名是种迷思。仔细去看所有一夜成名的故事,你就会发现它们背后都有十来年的辛勤耕耘和坚定毅力。创作出实质性的作品需要很多时间,或许是一辈子,但你并不需要一次用掉这么长的时间。不要再算有几十年、几年,也不要去算有几个月,你只需要专注于每一天。 (查看原文)
    loversophia 1赞 2015-05-05 13:20:39
    —— 引自第47页
  • 我喜欢在全世界都睡着时工作,在全世界醒来时分享。 (查看原文)
    loversophia 1赞 2015-05-05 13:21:43
    —— 引自第54页
  • “一次过好一天。听起来简单,实际上也很简单,但不容易做到;需要异常恪守、严谨有序。”——英国喜剧演员 拉塞尔•布兰德 (查看原文)
    loversophia 1赞 2015-05-05 13:23:33
    —— 引自第46页
  • “流量是你每天发布的生活片段,为了告诉大家你还活着。存量是你一直在做的事,是你在创造的内容,你会几个月甚至几年如一日地沉醉其中。人们会通过检索找到你,传播虽然慢一些,但一点一点总会积累起粉丝。” 据我的经验,存量其实是建立在流量基础上的,是对每日发布的内容进行整理、归类、扩充,社交媒体很多情况下就像一个公共笔记,我们表达自己的想法,听取别人的反馈,然后在此基础上进行反思。既然是笔记本,那么关键就在于你要不时去回溯,看看怎样才能最大化利用。你要翻一翻自己过去发布的内容,看看曾经的自己在想什么。当你养成日常分享的习惯时,你会逐渐发现自己关注的主题和分享的趋势。于是流量有了定式。 找到定式以后,就可以把每日发布的内容收集起来,组合成更大更全的项目。于是流量就变成了存量。 (查看原文)
    杨洛 1赞 2023-09-14 11:20:54
    —— 引自章节:③每天分享一点点
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