马奈的绘画

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• Foucault is less interested by what the image says than by what it produces -- the behaviour that it generates, and what it leaves barely seen among the social machinery in which it distributes bodies, spaces and utterances. Representation? It forms an integral part of processes of social differetiation, of exclusion, assimilation and control. Foucault tries hard to articulate the implicit and invisible strategies that confine painting, to render visible what it shows, but equally what it conceals. (查看原文)

  豆友1485565 2013-05-23 08:01:24

• 巴塔耶再次指出，在马奈作品中，主题无非是一种借口。借口为了什么？绘画的真正动机是什么？如果必须“抹去与绘画无关的任何价值”，绘画的价值究竟是什么？绘画的价值，在于重构“对画家之所见，对在场的敬畏，对存在的纯粹状态的魅力保持单纯沉默”。重要的是达到诸物的沉默而又执着的在场，只有在约定、观念和人造的面纱揭开的时候，在场才可能出现。 (查看原文)

  羊以 1赞 2017-11-04 14:55:45

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