Preface.
Part I: Tradition and the Academy:.
Introduction: Alberti and the Formation of Modern Art Theory (Carolyn Wilde).
1. The Classical Concept of Mimesis: Göran Sörbom (University of Uppsala).
2. Medieval Art Theory: Hugh Bredin (The Queen's University of Belfast).
3. Neoplatonist Aesthetics: Suzanne Stern-Gillet (Bolton Institute).
4. Renaissance Art Theories: François Quiviger(Warburg Institute).
5. Touch, Tactility, and the Reception of Sculpture in Early Modern Italy: Geraldine Johnson (Harvard Center for Italian Renaissance Studies).
6. The Spiritual Exercises of Leonardo Da Vinci: Robert Williams (University of California, Santa Barbara).
7. Academic Theory 1550-1800: Paul Duro(University of Rochester).
8. Rhetorical Categories of the Academy: Caroline van Eck(Free University).
9. The Picturesque and its Development: Andrew Ballantyne(University of Bath).
Part II: Around Modernism:.
10. The Aesthetics of Kant and Hegel: Jason Gaiger(The Open University)..
11. E.H. Gombrich and the Tradition of Hegel : David Summers.
12. German Romanticism and French Aesthetic Theory : Wendy Mercer(University College London).
13. Expression: Natural, Personal, Pictorial: Richard Shiff (University of Austin at Texas).
14. Reading Artists' Words: Richard Hobbs (University of Bristol).
15. Nietzsche and the Artist: Michael White (University of Bristol).
16. Wittgenstein, Description, and Adrian Stokes (on Cézanne): Paul Smith(University of Bristol).
17. Modernism and the Idea of the Avant-Garde : Paul Wood (The Open University).
18. On the Intention of Modern(ist) Art: Fred Orton (University of Leeds).
19. Anti-Art and the Concept of Art: Paul Humble (University of Central Lancashire).
20. Marcel Duchamp's Readymades and Anti-Aesthetic Reflex: David Hopkins(University of Saint Andrews).
Part III: Critical Theory and Postmodernism:.
21. Marxism and Critical Art History: David Craven.
22. Walter Benjamin and Art Theory: Howard Caygill(Goldsmiths College).
23. Bakhtin and the Visual Arts: Deborah Haynes(Montana State University).
24. Pierce's Visuality and the Semiotics of Art: Michael Leja(School of Architecture & Planning).
25. Conceptual Art: Charles Harrison (The Open University).
26. Barthes on Art: Margaret Iversen (University of Essex).
27. Foucault and Art: Roy Boyne(University of Durham).
28. Derrida and the Parergon: Robin Marriner (Bath Spa University College).
29. Lyotard's Concept of the Sublime: René van de Vall (Maastricht University).
30. Deleuze on Francis Bacon: Ian Heywood (Leeds Metropolitan University).
31. Feminisms and Art Theory: Marsha Meskimmon (University of Loughborough).
32. Psycho-Phallus (Qu'est-ce que c'est?): Mignon Nixon (Courtauld Institute of Art).
Part IV: Interpretation and the Institution of Art:.
33. The Rules of Representation: John Willats.
34. Gombrich and Psychology: Richard Woodfield(Nottingham Trent University).
35. Hermeneutics and Art Theory: Nick Davey (University of Dundee).
36. Reciprocity and Reception Theory: Michael Anne Holly (Center for Advanced Study in the Visual Arts).
37. The Paradox of Creative Interpretation in Art: Carl Hausman (Penn State University).
38. Interdiscipliniarity and Visual Culture: Charlotte Klonk (University of Warwick).
39. Against Curatorial Imperalism: Paul Crowther (University of Oxford).
40. The Institutional Theory of Art: Theory and Anti-Theory: Garry Hagberg (Bard University).
Index.
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0 有用 贾汀糊 2016-11-18 18:39:24
只是挑着看了第二和第三部分,几位笔者的合集。有些挺好的,有些看了却觉得没有太多启发,也可能是自己理解能力还不够吧 > <
0 有用 Imalion 2021-05-18 17:50:50
我这种艺术盲很喜欢这种系统化的东西。
0 有用 助理陈陌 2020-03-03 12:44:36
to be re-read
0 有用 別有用心美少女 2020-11-30 04:09:50
學校圖書館
0 有用 冷凍咖啡 2024-03-03 09:09:03 北京
确实是不错的,量大管饱。有概念爬梳,有文献综述,还有个案研究。不乏闪光点,补充了不少知识
0 有用 冷凍咖啡 2024-03-03 09:09:03 北京
确实是不错的,量大管饱。有概念爬梳,有文献综述,还有个案研究。不乏闪光点,补充了不少知识
0 有用 Imalion 2021-05-18 17:50:50
我这种艺术盲很喜欢这种系统化的东西。
0 有用 別有用心美少女 2020-11-30 04:09:50
學校圖書館
0 有用 助理陈陌 2020-03-03 12:44:36
to be re-read
0 有用 贾汀糊 2016-11-18 18:39:24
只是挑着看了第二和第三部分,几位笔者的合集。有些挺好的,有些看了却觉得没有太多启发,也可能是自己理解能力还不够吧 > <