'Unmissable. Like chancing upon an oasis, you want to drink it slowly... Subtle, unpredictable, surprising' Guardian
Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood.
Taking George Orwell's famous essay, 'Why I Write', as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers.
'Superb sharpness and originality of imagination. An inspiring work of writing' Marina Warner
Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, and she is the author of highly praised books including The Unloved, Swallowing Geography, and Beautiful Mutants. Her novel Swimming Home was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book awards, and 2013 Jewish Quarterly Wingate Prize. Her recen...
Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, and she is the author of highly praised books including The Unloved, Swallowing Geography, and Beautiful Mutants. Her novel Swimming Home was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book awards, and 2013 Jewish Quarterly Wingate Prize. Her recent short story collection, Black Vodka, was broadcast on BBC Radio 4. Things I Don’t Want to Know is the title of Levy’s sparkling response to George Orwell’s essay ‘Why I Write’, an autobiographical essay on writing, gender politics and philosophy. Her collection of poetry, An Amorous Discourse in The Suburbs of Hell, was inspired by William Blake’s vision of angels perched in a tree on Peckham Common.
短小好读 ‘What was the point of just writing things down, anyway? What was the point of writing BUY MORE PINKIES but not buying them because writing it down had replaced the desire to actually buy them?’ ...短小好读 ‘What was the point of just writing things down, anyway? What was the point of writing BUY MORE PINKIES but not buying them because writing it down had replaced the desire to actually buy them?’ ‘What do we do with knowledge that we cannot bear to live with? What do we do with the things we do not want to know?’ Piet的头上有个洞。(展开)
4 有用 修自行车吗 2022-09-23 09:09:44 浙江
相比女性主义,实际上她对种族与孤独的讨论更深刻。她于南非、她于父亲,使得种族成为她写作不能避免的主题。她没有过度浪漫化童年和青少年时期的经历,那个说话声音小小的、在意蜜蜂和洗衣机的女孩子,都被碾碎却珍藏在她的口袋里面。好喜欢第二三章,很明显流浪之感和政治性抑郁过早侵蚀了她,
0 有用 辛维木 2023-09-18 09:34:38 上海
To speak louder, even louder, and then in one’s own voice
0 有用 Acropolis 2024-08-13 20:12:27 北京
短小好读 ‘What was the point of just writing things down, anyway? What was the point of writing BUY MORE PINKIES but not buying them because writing it down had replaced the desire to actually buy them?’ ... 短小好读 ‘What was the point of just writing things down, anyway? What was the point of writing BUY MORE PINKIES but not buying them because writing it down had replaced the desire to actually buy them?’ ‘What do we do with knowledge that we cannot bear to live with? What do we do with the things we do not want to know?’ Piet的头上有个洞。 (展开)
8 有用 栗子 2022-08-13 20:06:34
最开始我纠结到底是读英文版还是法文版。Levy是用英语写作的,但她在书中引用了很多法国作者,比如杜拉斯和波伏娃。她在南非的修道院学校读书时学了法语。我对照着读了两个版本的前十几页,最终还是读了英文版。Levy到了乔治·桑曾待过的Majorca,她住在山谷的小旅馆,准备写作。在一家小餐馆,她与在附近开杂货店的中国男人相遇。在与他聊天的过程中,她回忆起了自己在南非的童年,叙述由此展开。她还讲述了作为女... 最开始我纠结到底是读英文版还是法文版。Levy是用英语写作的,但她在书中引用了很多法国作者,比如杜拉斯和波伏娃。她在南非的修道院学校读书时学了法语。我对照着读了两个版本的前十几页,最终还是读了英文版。Levy到了乔治·桑曾待过的Majorca,她住在山谷的小旅馆,准备写作。在一家小餐馆,她与在附近开杂货店的中国男人相遇。在与他聊天的过程中,她回忆起了自己在南非的童年,叙述由此展开。她还讲述了作为女性写作者的经验和思考。我非常喜欢她的一个表达,hard-earned ego,她用这词形容杜拉斯。“好不容易建立起来的自我”,我打算这样翻译。她书中多次呼应伍尔芙的属于自己的房间,结尾又提,她说:对女性作家而言,比属于自己的房间更有用的是把自己延伸出去,了解、接纳欧洲、非洲和亚洲的文化。 (展开)
0 有用 懒超人 2023-08-16 21:57:15 北京
好的文字应该是无性别的,就算是在谈论性别。作者明显还没到那个火候。