木马沉思录

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• 我选择音乐理论来说明非具象艺术并不是因为音乐是唯一的，而是因为音乐是最古老也是最清晰的非具象艺术。我知道还有别的例如笔迹学 [graphological] 艺术是以符号和笔迹富有表现力的特性为基础，还有烹调艺术则依赖于色素的赏心悦目。 所有这些都含有一定的真理，甚至一丝平凡琐碎。它们应当得到验证。有时甚至应当在实验室里进行验证，以便了解它们究竟能把我们带到多远。我们为什么要固执的坚持科学与艺术之间存在着对立，这种对立只能使艺术变的隐晦本能，而且肯定难以接近理性的讨论，许多科学家都曾证实创造性的梦想在他们的科学工作中所扮演的角色，这些梦想通过艰苦和富有灵感的工作，被捶打成理性的理论。另一方面，许多艺术家在运用智性的力量时都显出了足以与科学先驱们相匹敌的洞察力，专注力。 (查看原文)

  P 2赞 2019-01-24 22:06:28

• The Social History of Art, 1953 The Social History of Art, Arnold Hauser (1892-1978) , 1951 Hungarian-Germanart historianand sociologist who was perhaps the leadingMarxistin the field. assimilated Jewish origin. Now within the fantasy-world of Hegel's metaphysical system there was at least a reason why the ==distinction between statements and objects became blurred== 陈述与对象之间的区分变得模糊. For Hegel, of course, believed that reality was 'identical' with the process of reasoning, and that history was nothing but the unfolding of Absolute Idea in time. Clearly, material objects as well as human beings, societies, or periods may be subject to conflicting pulls, they may contain tensions and divisions, but they can no more 'harbor contradictions' then they can harbor syllogisms. ==The reason why ... (查看原文)

  Joan 2023-08-23 21:17:12

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