In Corporeal Politics, leading international scholars investigate the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. Countering common narratives of dance history that emphasize the US and Europe as centers of origin and innovation, the expansive creativity of dance artists in East Asia asserts its importance as a site of critical theorization and reflection on global artistic developments in the performing arts.
Through the lens of "corporeal politics"—the close attention to bodily acts in specific cultural contexts—each study in this book challenges existing dance and theater histories to re-investigate the performer's role in devising the politics and aesthetics of their performance, as well as the multidimensional impact of their lives and artistic works. Corporeal Politics addresses a wide range of performance styles and genres, including dances produced for the concert stage, as well as those presented in popular entertainments, private performance spaces, and street protests.
0 有用 唧哩呼喃 2022-05-20 12:32:04
好多材料还蛮有意思的 但大部分讨论最后都还是落到一些老生常谈的tradition vs. modernity / local vs. foreign 之类的,很descriptive……印象最深的一个point是韩国人cover李贞贤《哇》里的扇子舞to queer the Protestant&nationalistic discourse against LGBT in fan dance(主... 好多材料还蛮有意思的 但大部分讨论最后都还是落到一些老生常谈的tradition vs. modernity / local vs. foreign 之类的,很descriptive……印象最深的一个point是韩国人cover李贞贤《哇》里的扇子舞to queer the Protestant&nationalistic discourse against LGBT in fan dance(主要是respect李贞贤) (展开)
0 有用 🍅 2021-02-13 18:26:51
Chap6: Diasporic Moves; 从舞蹈的角度讨论Sinophone,可能期待值过高,看了后有点失望—明明可以用这些材料提出更有新意的论点,但结果几乎完全是把自己的材料又装进了史书美的老框架里
0 有用 munianli 2025-04-02 17:29:33 中国香港
intro,有用。The performers and choreographers discussed in this book include Mei Lanfang, Wu Xiaobang, Fujikage Shizue, Murayama Tomoyoshi, Park Yeong-in, Dai Ailian, Seo Jeongseon, Itō Michio, Lin Lee-c... intro,有用。The performers and choreographers discussed in this book include Mei Lanfang, Wu Xiaobang, Fujikage Shizue, Murayama Tomoyoshi, Park Yeong-in, Dai Ailian, Seo Jeongseon, Itō Michio, Lin Lee-chen, Choe Seung-hui, Chen Ailian, Yang Liping, Ashikawa Yoko, Furukawa Anzu, and Huang Yi. (展开)