The New Modernist Studies

This is the first book specifically devoted to the new modernist studies. Bringing together a range of perspectives on the past, present, and future of this vibrant, complicated scholarly enterprise, the collection reconsiders its achievements and challenges as both a mode of inquiry and an institutional formation. In its first section, the volume offers a fresh history of the ...

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This is the first book specifically devoted to the new modernist studies. Bringing together a range of perspectives on the past, present, and future of this vibrant, complicated scholarly enterprise, the collection reconsiders its achievements and challenges as both a mode of inquiry and an institutional formation. In its first section, the volume offers a fresh history of the new modernist studies' origins amid the intellectual configurations of the end of the twentieth century and changing views of the value, influence, and scope of modernism. In the second section a dozen leading scholars examine recent trends in modernist scholarship to suggest possible new paths of research, showing how the field continues to engage with other areas of study and how it makes a case for the ongoing meaning of modernist literature and art in the contemporary world.

Douglas Mao is Russ Family Professor in the Humanities at Johns Hopkins University. He is the author of Solid Objects: Modernism and the Test of Production (Princeton, 1998) and Fateful Beauty: Aesthetic Environments, Juvenile Development, and Literature 1860-1960 (Princeton, 2008) as well as the co-editor, with Rebecca Walkowitz, of Bad Modernisms (Duke, 2006). A past presiden...

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Douglas Mao is Russ Family Professor in the Humanities at Johns Hopkins University. He is the author of Solid Objects: Modernism and the Test of Production (Princeton, 1998) and Fateful Beauty: Aesthetic Environments, Juvenile Development, and Literature 1860-1960 (Princeton, 2008) as well as the co-editor, with Rebecca Walkowitz, of Bad Modernisms (Duke, 2006). A past president of the Modernist Studies Association, he has held a Guggenheim Foundation Fellowship and currently serves as Series Editor of Hopkins Studies in Modernism and Senior Editor of ELH.

Introduction: The New Modernist Studies
History’s Prehistory: Modernist Studies before the New
Scholarship’s Turn: Origins and Effects of the New Modernist Studies
Planetarity’s Edges: Modernist Studies and the Bounds of Modernism
Religion’s Configurations: Modernism, Empire, Comparison
Disability’s Disruptions: Embodiment and the New Modernist Studies
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Introduction: The New Modernist Studies
History’s Prehistory: Modernist Studies before the New
Scholarship’s Turn: Origins and Effects of the New Modernist Studies
Planetarity’s Edges: Modernist Studies and the Bounds of Modernism
Religion’s Configurations: Modernism, Empire, Comparison
Disability’s Disruptions: Embodiment and the New Modernist Studies
Affect’s Vocabularies: Literature and Feeling after 1890
Invisibility’s Arts: The Seen and the Unseen in Modernism and Modernist Studies
Black Writing’s Visuals: African American Modernism in Nugent, Ligon, and Rankine
Noir Film’s Soundtracks: Jazz, Black Transnationalism, and Postcolonial Genres of Criminality
Language’s Hopes: Global Modernism and the Science of Debabelization
Revolution’s Demands: Modernism, Socialist Realism, and the Manifesto
Feminism’s Archives: Mina Loy, Anna Mendelssohn, and Taxonomy
Risk’s Instruments: Speculation, Futurity, and Modernist Finance
Deep Time’s Hauntings: Modernism and Alternative Chronology
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