姜斐德论著简目（转帖）

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姜斐德论著简目作者：自在牛 提交日期：2006-11-14 21:14:00 | 分类: | 访问量：627
姜斐德
Alfreda Murck
http://www.wangf.net/vbb/showthread.php?s=906b0de64dca032cedce570b3d33babd&threadid=22499
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加州大学本科毕业; 普林斯顿大学硕士、博士。
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前纽约市大都会博物馆亚洲部业务主管 1979-1991
北京大学历史系主讲教师 1998-2005
中央美术学院人文研究所主讲教师 2002-2005
故宫博物院资料信息中心顾问, 古代书画研究中心研究员 2004—
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部分论著：
"Wang Shih-shen: Tributes to a Tea Drinker" (汪士慎: 对品茶者的颂词). Record of The Art
Museum, Princeton University (普林斯顿大学艺术博物馆学刊), vol. 37: no. 2
(1978), 1-30.
With Wen Fong, "The Astor Chinese Garden Court" (与方闻，“纽约大都会博物馆阿斯特花园明轩”). The Metropolitan Museum of Art Bulletin (纽约大度会博物馆季刊), winter 1980-81.
"Eight Views of the Hsiao and Hsiang Rivers by Wang Hung" (“南宋王洪的《潇湘八景》”). In Wen Fong et al., Images of the Mind: Selections from the Edward L. Elliott and John B. Elliott Collections of Chinese Calligraphy and Painting. Princeton: The Art Museum, Princeton University, 1984, 213-35.
"Yuan Jiang: Image Maker" (清代画家袁江). Chinese Painting Under the Qianlong Emperor, symposium papers in two volumes, (在乾隆皇帝时代的中国绘画中，研讨会论文集两册), Phoebus 6, no. 2, 228-59.
Edited with Wen Fong 与方闻主编. Words and Images: Chinese Poetry, Calligraphy, and Painting (语言和图像:中国诗书画) (symposium volume 研讨会论文集). New York and Princeton: The Metropolitan Museum of Art and Princeton University Press, 1991.
"Paintings of Stem Lettuce, Cabbage, and Weeds: Allusions to Tu Fu's Garden" (以萵苣、白菜和野草为画——杜甫中园的隐喻). Archives of Asian Art (亚洲艺术档案) 48 (1995), 32-47.
"The Meaning of the 'Eight Views of Hsiao-Hsiang': Poetry and Painting in Sung China" (《潇湘八景》在宋代诗书画的意义). PhD. dissertation, Princeton University (普林斯顿大学博士论文), 1995.
"The Eight Views of XiaoXiang and the Northern Song Culture of Exile" (北宋放逐情况与《潇湘八景》). Journal of Sung-Yuan Studies (宋辽金元学刊), 26 (1996), 113-144.
《画可以怨否? 潇湘八景与北宋谪迁诗画》, 国立台湾大学: 美术史研究, 四其 (1997): 59-89.
“Misty River, Layered Peaks: Decoding Landscape Imagery” (《烟江叠嶂图》：解读山水图象), Princeton University East Asian Library Journal (普林斯顿大学《东亚图书馆学刊》), vol. VIII (1998) no. 2: 17-68.
“A Note on the Iconography of Green Vegetables” Yamato Bunka 大和文华馆, no. 102 (1999): 25-54 (日语与英语).
《苏轼用杜甫韵字题王晋卿《烟江叠嶂图》》,中国第十届苏轼研讨会论文集. 济南：齐鲁书社, 1999, 404-411页.
《宋代景观艺术中的政治隐情》在《九州》[北京大学历史地理系学刊], no. 2 (1999): 193-201.
Poetry and Painting in Song China: The Subtle Art of Dissent. Asia Institute, Harvard University Press, 2000. (《宋代绘画与诗歌：委婉的抱怨方式》哈佛大学出版社)
《仇德樹的抒情画》 展览画册,四合院画廊, 北京2000年6月 (英文与中文)
《画可以怨否? 《潇湘八景》与北宋谪迁诗画》, DuoYun《朵云》 上海, 2000.7 [重印1997台大美术史研究]
"Images that Admonish" (带有劝诫含义图像), in Orientations, vol. 32, no. 6 (June 2001),
52-57.
《略说次韵诗作为秘密的对话 – 兼论其对墨梅画的影响》, 在《首届宋代文学国际研
讨会论文集》, 王水照等编, 上海：复旦大学出版社, 2001, 319-329页.
"The Convergence of Gu Kaizhi and Admonitions in the Literary Record" (顾恺之与《女史箴图》在文学中的结合点) for the Percival David Foundation Colloquy on Art and Archaeology in Asia (珀西瓦尔大卫基金会举办的亚洲艺术与考古研讨会论文集), No 21, British Museum Press and Percival David Foundation (答应过博物馆与珀西瓦尔大卫基金会), 2003.
《傅抱石和诗意画》为了深圳水墨论坛：二十世纪水墨画论文集2001-12, 深圳: 深圳国际水墨画双年展组织委员会, 2002, 183-198页.
"Invisible Women in Song Dynasty Painting" (宋代绘画中的三位妇女) 在《唐宋妇性与社会国际研讨会论文集》中, 北京大学盛唐研究从书,邓小南主编 (上海：上海辞书出版社, 2003), 338-362页.
《以萵苣、白菜和野草为画——杜甫菜园的隐喻》《清華美术》,2005-12 (中译Archives of Asian Art, vol. 48, 1995).
“Responses to the Manchu Conquest: Wu Hong and Kong Shangren” (对满清的一些反应:吴宏与孔尚任), Orientations, 36 册8号(2005-11), 56-62.
“Silent Satisfactions: Painting and Calligraphy of the Chinese Educated Elite”《无声的享受：清代初期的文人画》, in Royal Academy exhibition catalogue China: The Three Emperors, 1662-1795 (在《中国:三个皇帝, 1662-1795》中, 皇家艺术学院展览目录) 2005, 306-355.
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Book and Exhibition reviews 展览与书评:
Maggie Bickford, Ink Plum: The Making of a Chinese Scholar-Painting Genre, (Cambridge University Press, 1996), in Journal of Sung-Yuan Studies 28 (1998): 137-48.
Ginger Cheng-chi Hsu, A Bushel of Pearls: Painting for Sale in Eighteenth-Century Yangchow (Stanford University Press, 2001). Ars Orientalis XXXII (2002), 255-57.
Jan Stuart and Evelyn S. Rawski, Worshipping the Ancestors: Chinese Commemorative Portraits, exhibition catalogue (Washington, D. C.: Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, in association with Stanford University Press, 2001). Oriental Art, 2003
Valerie Hansen, The Open Empire: A History of China to 1600 (New York and London: W. W. Norton, 2000). Royal Asiatic Society, 2003.
Shanghai Museum's Fiftieth Anniversary Exhibition, for Orientations. May 2003