How do we see the world around us? "The Penguin on Design" series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enligh...
How do we see the world around us? "The Penguin on Design" series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze.
Bruno Munari was among the most inspirational designers of all time, described by Picasso as ‘the new Leonardo’. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography,...
Bruno Munari was among the most inspirational designers of all time, described by Picasso as ‘the new Leonardo’. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children’s books, advertising, cars and chairs – these are just some of the subjects to which he turns his illuminating gaze.
The artists of today are busily looking for something that will once again interest the people of today,distracted as they are by a multitute of visual stimuli all clamouring for their attention. (查看原文)
![[意大利] 布鲁诺·穆纳里](https://img3.doubanio.com/view/personage/m/public/2d135177be6bd77d62d444cf28c139e2.jpg)
布鲁诺·穆纳里 作者
1 有用 波西西 2019-06-05 19:32:22
符号诗真的有惊艳到我。
0 有用 半个橙仔仔 2013-10-30 09:23:54
非常赞的书！！读起来上瘾诱发人想象
0 有用 折柳 2019-03-18 21:43:09
法文版没有书目，就在这标记了。
1 有用 opqrst 2022-04-03 17:51:33
总是会回去翻阅
5 有用 血源2出了吗？ 2016-07-10 13:03:52
不是他观点老，而是这的确是那个年代的创见。老头在差不多50年前就开始预先post postmodernism了。无疑日吹。对自然以及随之而来的理想的functional design的极端崇尚使他更靠近一位发明家。吐槽空气动力学棺材、意呆大理石地板和节日的fancy goods真的肥肠可爱。
0 有用 Viannethelucky 2024-04-04 20:43:57 天津
回归设计的本质
1 有用 opqrst 2022-04-03 17:51:33
总是会回去翻阅
0 有用 Joan 2022-03-29 12:54:43
对，我又来读这本书了，这一次认认真真仔仔细细从头到尾一字不漏，以前的困惑在以年记的持续思考中变得清晰透彻。这本书是Bruno Munari为意大利今日报所写系列专栏文章的合集，初版于1966年，1971年有了这个英译本。文风简单轻松，内容复杂深刻，需要对艺术史设计史以及作者身处那个年代的当代艺术和科技发现有相当了解，才方便领会作者的想法。不过抛开设计研究和设计哲学的严肃，那些对创意产品的嘲讽，对法... 对，我又来读这本书了，这一次认认真真仔仔细细从头到尾一字不漏，以前的困惑在以年记的持续思考中变得清晰透彻。这本书是Bruno Munari为意大利今日报所写系列专栏文章的合集，初版于1966年，1971年有了这个英译本。文风简单轻松，内容复杂深刻，需要对艺术史设计史以及作者身处那个年代的当代艺术和科技发现有相当了解，才方便领会作者的想法。不过抛开设计研究和设计哲学的严肃，那些对创意产品的嘲讽，对法国美国德国和自己国家的披萨味儿揶揄令人捧腹，这个坦诚分享想法的小老头太可爱了。毕竟是计算机前的时代，对技术主导的过分向往这一点不大赞同，除此之外，设计取代部分艺术的趋势，视觉设计中的coherence, 工业设计中的去除装饰形式即本身，设计研究中对结构的探究，会很有收获。设计是减法，艺术未必 (展开)
0 有用 SUN 2022-02-22 22:02:18
段子手Bruno 应该说Bruno先生的设计来自于他细致入微的观察和大胆的联想观察。（一位整天捣鼓奇怪而无用的器械的设计师其实只想做些简单的小东西让你更仔细地思考你所处的自然）为了说明自己的观点Bruno讲述了自己在东京京都居住的经历和帮朋友去精品店选礼物的经历，恰好又是个人认为本书作为精彩的两张～ 如果你想了解老师嘴里的“功能服从形式”到底是什么意思，那么强烈推荐你这两篇～
0 有用 Yang.Y 2021-09-08 23:41:31
是值得一读的书，尤其作为设计工作者。整体风格诙谐有趣，内容在现在看可能有一些过时，但在那个年代写出来很不错了。作者本身对于生活和设计之间的观察很出奇，给我带来了不少灵感。很多想法可以顺着他的奇思自己延展开来。总的来说，有趣！可再读！