From the acclaimed author of The Remains of the Day and When We Were Orphans, a moving new novel that subtly reimagines our world and time in a haunting story of friendship and love.
As a child, Kathy–now thirty-one years old–lived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to...
From the acclaimed author of The Remains of the Day and When We Were Orphans, a moving new novel that subtly reimagines our world and time in a haunting story of friendship and love.
As a child, Kathy–now thirty-one years old–lived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory.
And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbed–even comforted–by their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham’s nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhood–and about their lives now.
A tale of deceptive simplicity, Never Let Me Go slowly reveals an extraordinary emotional depth and resonance–and takes its place among Kazuo Ishiguro’s finest work.
前阵子又看了一遍电影，那种绝望重新弥漫上来，又翻开书看了一遍。电影下面好多抗议说他们长大后为什么不逃，这是正常世界长大的人的视角和发问，却不是Hailsham长大的孩子要处理的问题。Hailsham的存在就是要处理潜移默化和接受命运的问题（对我来说又是乌托邦的吊诡形式）。它的视角选取非常聪明，始终限定在Kathy的视线里，跟着孩子的视角一起，在平淡的语气里开始了这段旅程，待到慢慢反应过来，一下子心...前阵子又看了一遍电影，那种绝望重新弥漫上来，又翻开书看了一遍。电影下面好多抗议说他们长大后为什么不逃，这是正常世界长大的人的视角和发问，却不是Hailsham长大的孩子要处理的问题。Hailsham的存在就是要处理潜移默化和接受命运的问题（对我来说又是乌托邦的吊诡形式）。它的视角选取非常聪明，始终限定在Kathy的视线里，跟着孩子的视角一起，在平淡的语气里开始了这段旅程，待到慢慢反应过来，一下子心惊。My name is Kathy H. I’m thirty-one years old, and I’ve been a carer now for over eleven years. 这本书开头的口吻如此淡然，却已是文学史上不能磨灭的声音。这本书我也慢热，是在年月里一点一点碾碎了我的心。(展开)
What she had lost can never be brought back even at the Lost Corner of the World.A life programmed.The best thing the best people can ever offer.People in this story，they were chasing something they b...What she had lost can never be brought back even at the Lost Corner of the World.A life programmed.The best thing the best people can ever offer.People in this story，they were chasing something they believed in，which in fact never really existed.The green light. “So we beat on，boats against the current，borne back ceaselessly into the past.”(展开)
Powerful end~ makes the programmed sadness a bit more profound~ but most of the time the book is just too flat or even tedious, didn’t really enjoy my reading until the last bit
Personally I love this book. What I'm not comfortable with is the description given in the rating. Instead of judgemental phrase like '推荐', I prefer something more personal like 'like it' or 'love it'. Now comes to the book. I have to admit, at first I ...
(展开)
![[英国] 石黑一雄](https://img3.doubanio.com/view/personage/m/public/0beb2318a8c036129b0e00987866d877.jpg)
石黑一雄 作者
X_Nesbo
上海译文出版社2018版
NAOMI
Faber & Faber2006版
momo
Vintage2006版
符灵
上海译文出版社2018版
万里船
译林出版社2011版
3 有用 小鱼脆饼 2015-05-13 14:41:01
最催泪是Madame说的话，小女孩紧紧怀抱着一个美好的旧世界，说baby baby never let me go~ 但时间洪流摧毁一切，donors的生命脆弱如一次性纸杯……part1在适应跳跃反复的时间点叙述，part2总是忍不住拍案骂Ruth bitch，part3无限唏嘘……
3 有用 铛铛铛铛 2020-04-17 11:24:10
石黑一雄在《长日将尽》里给我的印象非常好，但是这本小说的前1/3在Hailsham的部分有点劝退。我记得马未都说《看上去很美》写得不好是因为王朔需要鲜活的生活场景做小说底色，凭印象写这么多年前发生的童年记忆或者靠脑补很难写得生动，石黑一雄写小女孩的童年也是一个毛病，他那些细腻的心思赋予一位中年管家很恰当但是当叙述人变成了一个初中甚至小学年龄段的女生就怪怪的，尤其这本书几乎是100%第一人称视角，完... 石黑一雄在《长日将尽》里给我的印象非常好，但是这本小说的前1/3在Hailsham的部分有点劝退。我记得马未都说《看上去很美》写得不好是因为王朔需要鲜活的生活场景做小说底色，凭印象写这么多年前发生的童年记忆或者靠脑补很难写得生动，石黑一雄写小女孩的童年也是一个毛病，他那些细腻的心思赋予一位中年管家很恰当但是当叙述人变成了一个初中甚至小学年龄段的女生就怪怪的，尤其这本书几乎是100%第一人称视角，完全靠女主内心活动和对话推进剧情的时候，看多了真的有点累。石黑一雄的文笔还是非常好，用他的叙述方式讲一个围绕伦理矛盾的科幻故事也非常有新意，是我跟这本书的频率产生不了共鸣。 (展开)
11 有用 昏金暗玉 2019-09-10 22:47:26
前阵子又看了一遍电影，那种绝望重新弥漫上来，又翻开书看了一遍。电影下面好多抗议说他们长大后为什么不逃，这是正常世界长大的人的视角和发问，却不是Hailsham长大的孩子要处理的问题。Hailsham的存在就是要处理潜移默化和接受命运的问题（对我来说又是乌托邦的吊诡形式）。它的视角选取非常聪明，始终限定在Kathy的视线里，跟着孩子的视角一起，在平淡的语气里开始了这段旅程，待到慢慢反应过来，一下子心... 前阵子又看了一遍电影，那种绝望重新弥漫上来，又翻开书看了一遍。电影下面好多抗议说他们长大后为什么不逃，这是正常世界长大的人的视角和发问，却不是Hailsham长大的孩子要处理的问题。Hailsham的存在就是要处理潜移默化和接受命运的问题（对我来说又是乌托邦的吊诡形式）。它的视角选取非常聪明，始终限定在Kathy的视线里，跟着孩子的视角一起，在平淡的语气里开始了这段旅程，待到慢慢反应过来，一下子心惊。My name is Kathy H. I’m thirty-one years old, and I’ve been a carer now for over eleven years. 这本书开头的口吻如此淡然，却已是文学史上不能磨灭的声音。这本书我也慢热，是在年月里一点一点碾碎了我的心。 (展开)
2 有用 钟子期 2018-06-09 14:57:14
I lost Ruth, then I lost Tommy, but I won't lost my memories of them. 没有大起大落和大悲大喜的情节，后半段的揭秘也是一场空。即便是这样，还是喜欢石黑的文风，淡淡的忧伤和黑白回忆碎片，细节总是打动人。
1 有用 Agrippa 2018-10-28 22:51:24
What she had lost can never be brought back even at the Lost Corner of the World.A life programmed.The best thing the best people can ever offer.People in this story，they were chasing something they b... What she had lost can never be brought back even at the Lost Corner of the World.A life programmed.The best thing the best people can ever offer.People in this story，they were chasing something they believed in，which in fact never really existed.The green light. “So we beat on，boats against the current，borne back ceaselessly into the past.” (展开)
0 有用 觊廸镮 2024-09-17 22:13:35 广东
A dramatic exploration of emotional acceptance and compromise with death
0 有用 暮色四合 2024-09-17 00:13:30 广东
闪回闪回闪回闪回，急死你不偿命。好美，好想去作者笔下的冬天。好美的故事，好美的友情，谢谢你并不俗套。
0 有用 不切瓜 2024-09-12 10:27:55 美国
Powerful end~ makes the programmed sadness a bit more profound~ but most of the time the book is just too flat or even tedious, didn’t really enjoy my reading until the last bit
0 有用 softpeachhhy 2024-08-22 20:42:53 北京
太伤心了 像用小刀划人一样 地铁上默默流泪 直到最后才敢承认complete代表了什么 循环My name看完的 - will you forget I was here? — 中文译名也很好 莫失莫忘 仙寿恒昌 不离不弃 芳龄永继
0 有用 CC 2024-08-11 10:32:22 美国
我明白这种娓娓道来的细腻克制的文风是作者特点，但有时候又觉得是真墨迹啊...以及亮点是文风，但科幻设定完全不符合社会学规律——就是说，把一群受过教育的能读能写的学生就这样放生到正常社会里，怎么可能没有地下反抗运动LOL