出版社: Simon & Schuster
副标题: From Mozart to the Present
出版年: 1987-6-15
页数: 528
定价: USD 22.00
装帧: Paperback
ISBN: 9780671638375
内容简介 · · · · · ·
From Mozart’s fabulous legato that “flowed like oil” to Beethoven’s oceanlike surge, from Clara Schumann’s touch “sharp as a pencil sketch” to Rubinstein’s volcanic and sensual playing, The Great Pianists brings to life the brilliant, stylish, and sometimes eccentric personalities, methods, and technical peculiarities of history’s greatest pianists. Pulitzer Prize–winning ...
From Mozart’s fabulous legato that “flowed like oil” to Beethoven’s oceanlike surge, from Clara Schumann’s touch “sharp as a pencil sketch” to Rubinstein’s volcanic and sensual playing, The Great Pianists brings to life the brilliant, stylish, and sometimes eccentric personalities, methods, and technical peculiarities of history’s greatest pianists. Pulitzer Prize–winning critic and author Harold C. Schonberg presents vivid accounts of the artists’ performances, styles, and even their personal lives and quirky characteristics— such as Mozart’s intense competition with Clementi, Lizst’s magnetic effect on women (when he played, ladies flung their jewels on stage), and Gottschalk’s persistent nailbiting, which left the keys covered with blood. Including profiles of Horowitz and Van Cliburn, among others, and chapters detailing the playing and careers of such modern pianists as de Larrocha, Ashkenazy, Gilels, Gould, Brendel, Bolet, Gutierrez, and Watts, The Great Pianists is a comprehensive and fascinating look at legendary performers past and present.
作者简介 · · · · · ·
哈罗德•C.勋伯格,著名音乐评论家、作家。就学于纽约大学。曾任《纽约太阳报》《纽约时报》音乐评论员、高级评论员。1971年荣获普利策评论奖。著有多部介绍钢琴家、指挥家及作曲家的专著。
目录 · · · · · ·
I. In the Beginning [J. S. Bach, C. P. E. Bach:]
II. It Should Flow Like Oil [Wolfgang Amadeus Mozart:]
III. Thirds, Sixths, and Octaves [Muzio Clementi:]
IV. In Profile and on the Road [Dussek, Cramer, Wölffl, Steibelt:]
V. String-Snapper, Hands on High [Ludwig van Beethoven:]
· · · · · · (更多)
I. In the Beginning [J. S. Bach, C. P. E. Bach:]
II. It Should Flow Like Oil [Wolfgang Amadeus Mozart:]
III. Thirds, Sixths, and Octaves [Muzio Clementi:]
IV. In Profile and on the Road [Dussek, Cramer, Wölffl, Steibelt:]
V. String-Snapper, Hands on High [Ludwig van Beethoven:]
VI. In the Interim [Czerny, Weber:]
VII. From Ireland to Bohemia [Field, Hummel, Kalkbrenner, Moscheles:]
VIII. Romanticism and Its Rules
IX. Tubercular, Romantic, Poetic [Frederic Chopin:]
X. Thunder, Lightning, Mesmerism, Sex [Franz Liszt:]
XI. Old Arpeggio, Other Salonists, and the American Penetration [Thalberg, Herz, de Meyer:]
XII. More Salonists, and the Revolutionary in Octaves [Dreyschock:]
XIII. Two Sensitive Ones [Alkan, Henselt:]
XIV. The First American [Louis Gotschalk:]
XV. The Virtuous [Mendelssohn, Halle, Clara Schumann:]
XVI. Tyrant and Intellectual [Bülow, Goddard:]
XVII. The Children of the Abbe [Tausig, Menter, Adele aus der Ohe, Rive-King, Amy Fay, Sgambatti:]
XVIII. Thunder from the East [Anton Rubinstein:]
XIX. French Neatness, Precision, Elegance [Saint-Säens, Plante, Pugno, Risler:]
XX. The Listztianers and Leschetizkianers Take Over [Leschetizky:]
XXI. An Archangel Come Down to Earth [Ignacy Jan Paderewsky:]
XXII. The Little Giant, and other Liszt-Made Giants [d'Albert, Rosenthal, Sauer, Joseffy, Stavenhagen, Weiss, Friedheim:]
XXIII. Some of the Leschetizky Group [Hambourg, Gabrilowitsch, Moiseiwitsch, Friedman:]
XXIV. The Chopinzee, the Buddha, and Others [de Pachmann, Godowsky, Koczalsky, Grainger:]
XXV. The Ladies [Essipoff, Carreno, Bloomfield-Zeisler:]
XXVI. Composers at the Keyboard [Albeniz, Scriabin, Debussy, Dohnanyi:]
XXVII. Dr. Faust at the Keyboard [Ferruccio Busoni:]
XXVIII. Perfection Plus [Josef Hofmann:]
XXIX. The Puritan [Sergei Rachmaninoff:]
XXX. Some Headliners of the Day [Bauer, Lhevinne, Cortot, Novaes:]
XXXI. New Philosophies, New Styles [Debussy, Prokofieff, Landowska, Tudor:]
XXXII. The Man Who Invented Beethoven [Arthur Schnabel:]
XXXIII. Romanticism Still Burns [Vladimir Horowitz, Arthur Rubinstein:]
XXXIV. Twentieth-Century Schools [Gieseking, Serkin, Arrau, De Larrocha, Renard, Argerich, Barenboim, Lipatti, Lupu, Kocsis, Pogorelich, Bachauer, Michelangeli:]
XXXV. After the Thaw [Gilels, Richter, Ashkenazy, Berman:]
XXXVI. Bach a la Mode [Glenn Gould:]
XXXVII. Two Cult Figures [Brendel, Pollini:]
XXXVIII. Made in America [Kapell, Van Cliburn, Bolet, Wild, Watts, Gutierrez, Perahia:]
Index
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原文摘录 · · · · · ·
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The Great Pianists的书评 · · · · · · ( 全部 7 条 )
个人评分:80 从钢琴诞生时的巴赫、莫扎特,一直讲到近代。
其实更适合作为有基础入门读物
> 更多书评 7篇
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订阅关于The Great Pianists的评论:
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1 有用 massquantity 2015-11-20 08:19:57
我最喜欢的Richter老师的篇幅居然这么短,果断降一星
0 有用 蟫尾 2022-12-11 22:28:14 英国
过时了,但有些对演奏的理解还是很到位。
0 有用 freop 2019-03-16 04:50:20
看到不少钢琴技术在不同 composer - pianist 影响下的发展。我真是低估了李斯特的影响。。。。对俄国钢琴家也真是不了解
0 有用 蟫尾 2022-12-11 22:28:14 英国
过时了,但有些对演奏的理解还是很到位。
0 有用 freop 2019-03-16 04:50:20
看到不少钢琴技术在不同 composer - pianist 影响下的发展。我真是低估了李斯特的影响。。。。对俄国钢琴家也真是不了解
1 有用 massquantity 2015-11-20 08:19:57
我最喜欢的Richter老师的篇幅居然这么短,果断降一星