阿劳谈艺录

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• 有些学派说钢琴上没有连奏，那是胡说八道。怎样弹出连接来，当然是等下一只手指击键后才把前一只手指从琴键上提起来。马丁·克劳泽重点教连奏的音响。他让学生不用踏板练习。今天人们不太练连奏技巧了。好多次我听到有人弹琴时，心中忖悼，弹得到挺美，可是听上去像普罗科菲耶夫；其实他弹的是贝多芬。 千万不要用同一个力度弹两个音符，只有那样你才能模仿人声。为此手臂上下左右移动是十分重要的。作出规矩，永远记住你必须歌唱。音符必须一浪一浪地向前推进。 (查看原文)

  yapapa 4 回复 2013-01-29 19:15:02

• I worshiped him from the beginning. I couldn't look at him as a pupil, although he was one. He didn't have very much technique, you know. But you didn't care. There was this group of pianists who considered preoccupation with technique to be superficial. Kempff also believed that. I don't think he ever practiced, or ever studied exercises. Erdmann neither. Schnabel neither. Elly Ney neither. They all considered it undignified. (查看原文)

  饭饭想菠萝 1 回复 2011-05-28 18:59:50