出版社: Faber & Faber
副标题: A Tragicomedy in Two Acts
出版年: 2006-1-5
页数: 96
定价: GBP 9.99
装帧: Paperback
ISBN: 9780571229116
内容简介 · · · · · ·
'Nothing happens, nobody comes, nobody goes, it's awful.' This line from the play was adopted by Jean Anouilh to characterize the first production of Waiting for Godot at the Theatre de Babylone in 1953. He went on to predict that the play would, in time, represent the most important premiere to be staged in Paris for forty years. Nobody acquainted with Beckett's masterly black...
'Nothing happens, nobody comes, nobody goes, it's awful.' This line from the play was adopted by Jean Anouilh to characterize the first production of Waiting for Godot at the Theatre de Babylone in 1953. He went on to predict that the play would, in time, represent the most important premiere to be staged in Paris for forty years. Nobody acquainted with Beckett's masterly black comedy would now question this prescient recognition of a classic of twentieth-century literature.
Waiting for Godot的创作者
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萨缪尔·贝克特 作者
作者简介 · · · · · ·
Samuel Barclay Beckett was an Irish avant-garde novelist, playwright, theatre director, and poet, who lived in France for most of his adult life. He wrote in both English and French. His work offers a bleak, tragicomic outlook on human nature, often coupled with black comedy and gallows humour.
Beckett is widely regarded as among the most influential writers of the 20th century...
Samuel Barclay Beckett was an Irish avant-garde novelist, playwright, theatre director, and poet, who lived in France for most of his adult life. He wrote in both English and French. His work offers a bleak, tragicomic outlook on human nature, often coupled with black comedy and gallows humour.
Beckett is widely regarded as among the most influential writers of the 20th century. Strongly influenced by James Joyce, he is considered one of the last modernists. As an inspiration to many later writers, he is also sometimes considered one of the first postmodernists. He is one of the key writers in what Martin Esslin called the "Theatre of the Absurd". His work became increasingly minimalist in his later career.
Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He was elected Saoi of Aosdána in 1984.
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Waiting for Godot的书评 · · · · · · ( 全部 237 条 )
论坛 · · · · · ·
Waiting for Godot | 来自[已注销] | 2009-04-06 17:51:25 |
这本书的其他版本 · · · · · · ( 全部20 )
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湖南文艺出版社 (2013)8.7分 2400人读过
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谁读这本书? · · · · · ·
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订阅关于Waiting for Godot的评论:
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2 有用 snowballllish 2018-10-16 09:49:01
multiple temporalities; absurdity comes out of the singularity of time, we need multitemporal, and multi-everything!!
1 有用 千与千桐 2012-03-15 04:03:39
pure genius.
1 有用 retriever 2012-06-01 19:35:01
反正还是乱糟糟的...
0 有用 麓栀岚 2012-02-14 03:17:53
英版,法版,中文版。抓其中一部分出来做分析,其实,我更喜欢法文版。
1 有用 Pluto&Piaget 2017-10-31 19:42:17
生命犹如将入夜的荒漠,在时间的模糊处等待等待,在无限重复和无尽之网中等待等待,在不可知面前等待等待。最喜欢的line绝对是Pozzo自述盲眼,悲哀婉转雾蒙蒙。对抗虚无的武器居然是人类同理心,倾诉,以及对认知天花板的突破。怎么觉得挺存在的呢??人生单调,贝克特的剧却丰富
0 有用 11story 2024-06-10 01:11:07 广东
【补】2020
0 有用 Ichi 2024-05-15 23:23:31 北京
The nightmarish eternal recurrence of "one day"
0 有用 thepainmachine 2024-04-30 16:23:38 上海
absurdity, tragedy, comedy
0 有用 榆杉子 2024-04-17 19:53:02 英国
天才之作,漫长现代主义谱系的顶点。所有试图将其平庸化为某种存在主义的解读都根本没进入Beckett的世界,那个荒芜、封闭而绝望,所有文化与秩序都已裂解散落的世界;在其高度节约化与象征主义而言,贝拉塔尔的《都灵之马》是其精神继承者。Godot仍属tragi-comedy,而Endgames,Krapp,Happy days,Not I几篇甚至更加刺痛。Beckett完全不将观众放置在任何高于角色的位... 天才之作,漫长现代主义谱系的顶点。所有试图将其平庸化为某种存在主义的解读都根本没进入Beckett的世界,那个荒芜、封闭而绝望,所有文化与秩序都已裂解散落的世界;在其高度节约化与象征主义而言,贝拉塔尔的《都灵之马》是其精神继承者。Godot仍属tragi-comedy,而Endgames,Krapp,Happy days,Not I几篇甚至更加刺痛。Beckett完全不将观众放置在任何高于角色的位置上,也从不施加任何判断,只是单纯展现。Beckett也从不解释前因后果、起承转合,角色只是被毫无理由地抛到越来越深的绝境中(就像现实中那样)。生存并非有什么自我在创造意义,而是被还原为最微不足道的动物性续存;如同鲁迅的铁屋中,哪个角色更有对处境更有意识,它就会不可避免地更加痛苦。 (展开)
0 有用 Zoe喜欢吃菠萝 2024-02-17 05:32:31 英国
Didi是冷静的那个,gogo是经常“发疯”的。gogo为什么会被打,而didi不会。不明白Lucky的长篇大论,主仆真有很大的变化吗?他俩的出现确实让时间过得很快,几十页一下子就过去了(可能也有几下子)。 'you piss better when I'm not there.' 'I missed you...and at the same time I was happy. Isn't th... Didi是冷静的那个,gogo是经常“发疯”的。gogo为什么会被打,而didi不会。不明白Lucky的长篇大论,主仆真有很大的变化吗?他俩的出现确实让时间过得很快,几十页一下子就过去了(可能也有几下子)。 'you piss better when I'm not there.' 'I missed you...and at the same time I was happy. Isn't that a queer thing?'准确! Didi对着观众讲话了,'He's forgotten everything!' 帽子与鞋子,脱与戴的意味着什么。 lonely。time。 为什么我要在这么暖和的春天,一个人在院图,看这部剧本,看得我都不好了。他为什么喜欢这部作品啊?行动人不懂 (展开)