From the first misty 'heliograph' taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz, to the striking postmodern strategies of Robert Mapplethorpe, Cindy Sherman and Victor Burgin, the history of photography is a record of dazzling and penetrating images. But photographs are also the most pervasive images of our time, in...
From the first misty 'heliograph' taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz, to the striking postmodern strategies of Robert Mapplethorpe, Cindy Sherman and Victor Burgin, the history of photography is a record of dazzling and penetrating images. But photographs are also the most pervasive images of our time, infinite in their capacity to record and make moments significant, granting status to everything they touch. So how do we read a photograph? In a series of brilliant discussions of major themes and genres, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most interesting thinkers on the subject such as Roland Barthes and Susan Sontag. At the heart of the book is his ground-breaking examination of the main subject areas - landscape, the city, portraiture, the body, and reportage - and his detailed analysis of exemplary images in terms of their cultural and ideological contexts.
作者简介
· · · · · ·
格雷汉姆·克拉克（Graham Clarke），英国肯特大学文学与图像研究高级讲师。出版著作有《沃尔特·惠特曼：作为私人史的诗歌》，编有《美国城市：文学与文化视角》《摄影中的肖像》《风景艺术》等，同时也参与埃德加·爱伦·坡、T. S. 艾略特、托马斯·哈代作品的编辑工作 。
Oxford History of Art(共50册)，
这套丛书还有
《Northern Renaissance Art》《Early Art and Architecture of Africa (Oxford History of Art)》《After Modern Art 1945-2000 (Oxford History of Art)》《Sculpture 1900-1945 (Oxford History of Art)》《After Modern Art》
等
。
“To read a photograph, then, is to enter into a series of relationships which are 'hidden‘, so to speak, by the illusory power of the image before our eyes... It thus exists within a wider body of ref...“To read a photograph, then, is to enter into a series of relationships which are 'hidden‘, so to speak, by the illusory power of the image before our eyes... It thus exists within a wider body of reference and relates to a series of wider histories, at once aesthetic, cultural, and social.”；略讀，Chapter2/3/8(展开)
“To read a photograph, then, is to enter into a series of relationships which are 'hidden‘, so to speak, by the illusory power of the image before our eyes... It thus exists within a wider body of ref...“To read a photograph, then, is to enter into a series of relationships which are 'hidden‘, so to speak, by the illusory power of the image before our eyes... It thus exists within a wider body of reference and relates to a series of wider histories, at once aesthetic, cultural, and social.”；略讀，Chapter2/3/8(展开)
malingcat
世纪文景 / 上海人民出版社2015版
1 有用 马里兰蓝蟹 2015-10-14 10:24:30
The photograph displaces rather than represents the individual
0 有用 cici 2011-04-26 16:31:51
粗扫
0 有用 Eve 2023-02-17 14:51:59 中国澳门
“To read a photograph, then, is to enter into a series of relationships which are 'hidden‘, so to speak, by the illusory power of the image before our eyes... It thus exists within a wider body of ref... “To read a photograph, then, is to enter into a series of relationships which are 'hidden‘, so to speak, by the illusory power of the image before our eyes... It thus exists within a wider body of reference and relates to a series of wider histories, at once aesthetic, cultural, and social.”；略讀，Chapter2/3/8 (展开)
0 有用 zhi 2014-11-04 18:34:34
随便看了一章，diana arbus 的indentical twins 讲得挺好，太深。
0 有用 Eve 2023-02-17 14:51:59 中国澳门
“To read a photograph, then, is to enter into a series of relationships which are 'hidden‘, so to speak, by the illusory power of the image before our eyes... It thus exists within a wider body of ref... “To read a photograph, then, is to enter into a series of relationships which are 'hidden‘, so to speak, by the illusory power of the image before our eyes... It thus exists within a wider body of reference and relates to a series of wider histories, at once aesthetic, cultural, and social.”；略讀，Chapter2/3/8 (展开)
1 有用 马里兰蓝蟹 2015-10-14 10:24:30
The photograph displaces rather than represents the individual
0 有用 zhi 2014-11-04 18:34:34
随便看了一章，diana arbus 的indentical twins 讲得挺好，太深。
0 有用 cici 2011-04-26 16:31:51
粗扫