作者:
Richard R. Brettell 出版社: Oxford University Press, USA 副标题: Capitalism and Representation 出版年: 1999-7-22 页数: 272 定价: USD 27.95 装帧: Paperback 丛书:Oxford History of Art ISBN: 9780192842206
Richard Brettell's innovative and beautifully-illustrated account, the latest addition to the acclaimed Oxford History of Art series, explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibi...
Richard Brettell's innovative and beautifully-illustrated account, the latest addition to the acclaimed Oxford History of Art series, explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development of modern art such as urban capitalism, modernity, and the accessible image made possible by art museums, temporary exhibitions, lithography, and photography. Brettell examines artists' responses to modernism, including changes in representation, vision, and "the art of seeing." Combining the most recent scholarship with 140 illustrations--75 in full color--the book chronicles the change in art and image itself, from the iconology of new representations of the nude human form to the anti-iconography of "art without 'subject'": landscape painting; text and image; and abstraction. Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media, and offering profuse illustration to bring the changing art forms vividly to life, Modern Art 1851-1929 presents a fresh approach to the fine art and photography of this remarkable era.
作者简介
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作者简介
理查德•布雷特尔（Richard R. Brettell），得克萨斯大学达拉斯分校美学研究教授，曾在得克萨斯大学、美国西北大学、芝加哥大学、耶鲁大学和哈佛大学任教。长期投身于有关现代艺术、博物馆的学术研究，发表有很多现代绘画、摄影、建筑和博物馆学方面的文章。著有《印象主义：法国速绘，1860—1890》《毕沙罗与庞杜瓦：画家与风景》《高更与印象主义》等。2010年荣获了法兰西文学与艺术勋章。
译者简介
诸葛沂，浙江大学美学与批评理论研究所博士研究生，现任教于浙江农林大学艺术设计学院、人文•茶文化学院，从事现代艺术史、艺术批评理论与电影研究。著有《尤利西斯的凝视：安哲罗普洛斯的影像世界》，译有T. J. 克拉克《现代生活的画像：马奈及其追随者艺术中的巴黎》（合译）。
理查德•布雷特尔（Richard R. Brettell），得克萨斯大学达拉斯分校美学研究教授，曾在得克萨斯大学、美国西北大学、芝加哥大学、耶鲁大学和哈佛大学任教。长期投身于有关现代艺术、博物馆的学术研究，发表有很多现代绘画、摄影、建筑和博物馆学方面的文章。著有《印象主义：法国速绘，1860—1890》《毕沙罗与庞杜瓦：画家与风景》《高更与印象主义》等。2010年荣获了法兰西文学与艺术勋章。
译者简介
诸葛沂，浙江大学美学与批评理论研究所博士研究生，现任教于浙江农林大学艺术设计学院、人文•茶文化学院，从事现代艺术史、艺术批评理论与电影研究。著有《尤利西斯的凝视：安哲罗普洛斯的影像世界》，译有T. J. 克拉克《现代生活的画像：马奈及其追随者艺术中的巴黎》（合译）。
Oxford History of Art(共50册)，
这套丛书还有
《Fashion》《Art and Society in Italy 1350-1500 (Oxford History of Art)》《Archaic and Classical Greek Art (Oxford History of Art)》《East European Art》《Classical Art》
等
。
philplus
上海人民出版社2013版
文景
上海人民出版社2013版
1 有用 cici 2011-04-26 16:32:24
分类比较清楚
0 有用 無琪 2020-04-20 09:45:21
@2017-11-14 14:47:13
0 有用 無琪 2020-04-20 09:45:21
@2017-11-14 14:47:13
1 有用 cici 2011-04-26 16:32:24
分类比较清楚