作者:
E. H. Gombrich 出版社: Princeton University Press 副标题: A Study in the Psychology of Pictorial Representation 出版年: 2000-12-15 页数: 512 定价: USD 42.00 装帧: Paperback ISBN: 9780691070001
Considered a great classic by all who seek for a meeting ground between science and the humanities, "Art and Illusion" examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation o...
Considered a great classic by all who seek for a meeting ground between science and the humanities, "Art and Illusion" examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition. In testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks, and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's triumph in "Art and Illusion" arises from the fact that his main concern is less with the artists than with ourselves, the beholders.
E. H. Gombrich was director of the Warburg Institute and Professor of the History of the Classical Tradition at the University of London, 1959-1976. He was born in 1909 in Vienna, where he studied the history of art under Julius von Schlosser and classical archaeology under Emanuel Loewy. He has been Slade Professor of Fine Art at both Oxford and Cambridge, Visiting Professor a...
E. H. Gombrich was director of the Warburg Institute and Professor of the History of the Classical Tradition at the University of London, 1959-1976. He was born in 1909 in Vienna, where he studied the history of art under Julius von Schlosser and classical archaeology under Emanuel Loewy. He has been Slade Professor of Fine Art at both Oxford and Cambridge, Visiting Professor at Harvard, Spencer Trask Lecturer at Princeton, and Walker Ames Professor at the University of Washington. His best-known book, The Story of Art (1950) has been translated into 29 languages.
一、 贡布里希与《艺术与错觉》： 1.贡布里希 恩斯特·汉斯·约瑟夫·贡布里希（1909-2001，Ernst Hans Josef Gombrich）是英国艺术史学家和艺术理论家。其研究范围十分广泛，涉猎艺术史、文化史、造型艺术、音乐、电影、心理学、大众传播学等众多领域。他早年就读于维也纳大学...
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艺术史学家在将一件艺术品载入历史前，通常会先密切关注它的内在逻辑。早期（Earlier）、后期（later）、近期（latest），这是基本的历史结构。马萨乔（Masaccio，1401-28，“人文主义之父”）的绘画艺术是建立在对乔托（Giotto di Bondone，1266-1337，“欧洲绘画之父”）的深...
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恩斯特·贡布里希 作者
unidolphie
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ABAGo快乐大胖
0 有用 arale 2016-10-27 14:52:15
艺术的历史，在于锻造出能够打开感官之锁的钥匙。
0 有用 felsina 2020-06-05 13:38:47
能搭出这样整体性的理论框架，而且如此跨学科，在那个时候的确是超前的，但同时各种论证的走向充斥着冷战时期的思维痕迹和文化经验，也因此不得不一定程度的存疑，最出彩、最有启发的反而还是第四部分，或许也是贡氏对波普尔科学哲学理论化用得最到位而不刻意的部分。
0 有用 backyard’ulu 2018-02-15 10:52:52
喜欢intro语言里的耿直和顽皮～ 正文论点清晰但论据太有跳跃性！ a structuralist for sure!!!
0 有用 ABAGo快乐大胖 2021-03-03 23:33:18
人类具象化表达技巧是如何逐步提升
1 有用 Blue Jaguar 2013-07-02 21:07:36
really illuminating book on the origin and evolution of art