Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers - among them are Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. "The Space of Literature", first published in France in 1955, is central to the development of B...
Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers - among them are Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. "The Space of Literature", first published in France in 1955, is central to the development of Blanchot's thought. In it, he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarme, Kafka, Rilke, and Holderlin. Blanchot's discussions of those writers are among the finest in any language. Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. Ann Smock, an associate professor of French at the University of California, Berkeley, also translated Blanchot's "The Writing of the Disaster" for the University of Nebraska Press in 1986.
Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. Ann Smock, an associate professor of French at the University of California, Berkeley, also translated Blanchot's The Writing of the Disaster for the University of Nebraska Pre...
Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. Ann Smock, an associate professor of French at the University of California, Berkeley, also translated Blanchot's The Writing of the Disaster for the University of Nebraska Press in 1986.
只读了Rilke这章。前半部分很清晰，从death transmutes in itself开始好难...personal/disinterested death，death/dying。不愧是死亡哲学本体布朗肖...对Orpheus的分析精彩！Orpheus-Angel的本质区别在于前者是Werden而后者是Gewordensein。哀歌和十四行诗的复杂关系果然相当有趣...
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莫里斯·布朗肖 作者
melpomene
商务印书馆2003版（其他版本）
林中孤独
商务印书馆2003版（其他版本）
霧原陶忘
商务印书馆2003版（其他版本）
汪杨
商务印书馆2003版（其他版本）
becharing
商务印书馆2003版（其他版本）
3 有用 ArturoBelano 2022-03-15 21:25:32
布朗肖，你获得我的五星肯定
2 有用 丁萌 2014-11-23 13:13:01
不明觉厉的典范！
2 有用 fff勒内 2020-04-17 02:20:46
只读了Rilke这章。前半部分很清晰，从death transmutes in itself开始好难...personal/disinterested death，death/dying。不愧是死亡哲学本体布朗肖...对Orpheus的分析精彩！Orpheus-Angel的本质区别在于前者是Werden而后者是Gewordensein。哀歌和十四行诗的复杂关系果然相当有趣...
0 有用 rockyblur 2014-04-11 16:25:53
读懂文学与死亡
0 有用 Oubli 2022-03-25 22:08:47
理解了以前没理解的东西