The task facing us is not the advocacy of
a return to pure ethnic origins. Rather, it is to articulate the specific ways in
which ethnicity, as the site both of an inevitable cultural predicament and of
possible formations of collective identities-in-resistance, functions (查看原文)
Figurally, the chapters of this book are organized along four critical paths.
These are the visual image, literary history, narrative structure, and emotional
reception, which in turn allow four mutually implicated aspects of "Chinese"
modernity to come to the fore —namely, the ethnic spectator, the fragmentation
of tradition in popular literature, the problematic construction of a new "inner"
reality through narration, and the relations between sexuality, sentimentalism,
and reading. The physical actions around which the four chapters revolve are
seeing, dispersing, detailing (cutting), and crying. (查看原文)
1 有用 綦 2010-04-09 10:51:05
公爵文学周蕾Rey Chow.
3 有用 有隻雀仔跌落水 2015-06-09 23:50:43
在Judith Bulter一本書的腳註中發現的這本,找來讀讀簡直酣暢淋漓。至少解決了困擾我多年的一個問題:夏志清在評論中國現代文學時,無論是沈從文還是張愛玲,都愛用個「最」字,這怎麼能說得通?!看到Ray Chow評論夏志清的文學批判帶有社會達爾文主義的色彩,豁然開朗。
0 有用 两块钱 2021-05-13 00:20:52
看得好痛苦
0 有用 两块钱 2021-05-13 00:20:52
看得好痛苦
3 有用 有隻雀仔跌落水 2015-06-09 23:50:43
在Judith Bulter一本書的腳註中發現的這本,找來讀讀簡直酣暢淋漓。至少解決了困擾我多年的一個問題:夏志清在評論中國現代文學時,無論是沈從文還是張愛玲,都愛用個「最」字,這怎麼能說得通?!看到Ray Chow評論夏志清的文學批判帶有社會達爾文主義的色彩,豁然開朗。
1 有用 綦 2010-04-09 10:51:05
公爵文学周蕾Rey Chow.