T. S. Eliot was central to many of the tendencies so far, and his early essay 'Tradition and the Individual Talent'(1919) has been perhaps the single most influential work in Anglo-American criticism. In it, Eliot does two things in particular: he emphasizes that writers must have 'the historical sense' - that is, a sense of the tradition of writing in which they must situate themselves; and that this process reinforces the necessary 'depersonalization' of the artist if his or her art is to attain the 'impersonality' it must have if it is 'to approach the condition of science'. Famously, he wrote: 'Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality.' (查看原文)
第178页：乔治·爱略特《米德尔马奇》第一章开头的句子：“布鲁克小姐有着那种类型的美貌，仿佛是被破衣烂衫抛入浮雕中似的。”（Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress.) 乔治·爱略特《米德尔马契》（项星耀译，人民文学...
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想起窗外一只鸟
北京大学出版社2007版
期酱
外语教学与研究出版社2011版
胃反酸
北京大学出版社2007版
0 有用 我 樂 苦 多 2015-11-21 10:30:11
是可以看很久的一部书，每一行字都需要思考许久。
1 有用 履之 2020-12-19 21:40:36
刘象愚翻译的我没看， 英文版我也没看， 但我还是觉得你翻译的狗屁不通！ 作为一个研究文学的人，起码把句子写通顺吧。 人家童庆炳老师再怎么“保守”，至少句子还能读呢！